Give Portraits A Gentle Look

Adding a soft focus to a portrait can give the subject a smooth appearance.

Digital photography and the tools that accompany it, like advanced photo-editing software programs, have made perfect portraits possible. Everything from stunning to subtle effects can be added to a photo after it's been taken to enhance its appearance.Soft focus is one such tool that enhances the appearance of an already crisp, clear and well-composed portrait photo. Adding a soft focus to a portrait photo removes noise and softens distractions or imperfections to highlight the natural beauty of the portrait subject.

Instructions

1. Download or save a digital portfolio photo file to your computer. Open the photo in a photo-editing software program. Save the photo as its name or number with the word "revised" before or following it so as not to replace your original photo in case you want to revert back to it at some point.

2. Make all color, contrast, level and red eye or other adjustments until you feel you have finished touching up your photo. Examine your portrait and notice if there are still visible features or imperfections in the subject's face which cause distraction and draw attention away from the natural beauty of the subject or the specific look you were trying to accomplish with the shot.

3. Apply a soft focus to the photo file to reduce those imperfections and give the subject a smooth, somewhat airbrushed look. Flatten multiple layers in your photo down to one layer. Name this layer "finished" indicating that it is the finished portrait file before adding any soft focus effects into it. Copy the layer so that a second, duplicate layer appears and name that layer "soft."

4. Set the "opacity" option on the photo file to 33 percent to apply a blanket soft focus filter to the entire image that is one-third the strength of what the software program is capable of achieving.

5. Click on "filters" followed by "smart blur" to apply additional soft blur to the subject's face. Experiment with the "radius" and "threshold" options in the dialogue box that opens. Enable the "preview" option so that you can observe your effects as you adjust the "radius" and "threshold" of the photo. Continue adjusting the numbers slightly until you've added a level of blur that reduces the visibility of wrinkles, lines, blemishes and other distracting marks from the profile subject.

6. Create a copy of your "soft" layer and name it "softer." Add a Gaussian blur to the photo by clicking "file" then "filters" then "blur" and finally "Gaussian blur." Adjust the "radius" option in the dialogue box that appears until you have a very blurry image but one in which you can still distinguish the subject's facial features from each other; make sure you can still see the difference between the subject's eyes and nose, for example.

7. Click "OK" or "apply" and view the resultant image. Save the file and print or forward it to your client for approval.

Make Use Of A Studio Expensive For Any Photo Shoot

Studio flashes are a great addition to any photographer's studio equipment. Studio photo shoots require more lighting than outdoor or location shoots and studio flashes serve to replicate the natural light that's missing in a studio environment.

Instructions

1. Look around the studio for any natural light that might lend some assistance in the photo shoot. Natural light gives a more natural effect than studio flashes can.

2. Paint the studio for a photo shoot. Lighter colors reflect more light whereas darker colors can produce photos with odd colorcasts on the subject. White walls are always acceptable. Check your camera's white balance when using white walls.

3. Set the studio flash in front of the subject and slightly to the side to avoid harsh shadows. Move the flash head up or down for the best fill light.

4. Manipulate the studio flashes controls for the best exposure values. Many units incorporate control dials or digital arrays to enter flash values.

5. Move the flash so that it bounces the light onto the walls or ceiling. This method effectively cuts the value of the studio flash by half.

6. Keep the subject away from the backdrop or wall to prevent harsh shadows. Move the subject at least six feet from anything that reflects large amounts of light.

7. Use a studio flash rail system to better move lights into position. Rail systems are a common studio installation that offer a great deal of ease and variety of lighting possibilities.

What's An Finish Cap

End caps are used to finish bead or stone jewelry pieces

A bead cap is a type of jewelry finding used, most often, in finishing a stranded-type (bead or stone) bracelet or necklace. The purpose of the cap is to secure the end of a strand of beads or stones neatly, and to avoid or hide messy knots. Although a jewelry clasp is actually a type of end cap, a separate cap may also be used in addition to the clasp, depending on the style of the piece. End caps are available in a wide variety of sizes, metal types, and compositions.

Types of Metal Used in End Caps

End caps are available in plated or genuine silver and gold as well as copper, brass, pewter and bronze. The style and type of metal used for a given jewelry piece usually matches or blends well with other colors in the piece. For instance, if the necklace includes sterling silver beads, the end cap is most likely sterling silver as well.

Glue Type End Caps

A glue type end cap is tubular in shape, with a closed end. Often, there is a ring attached to the closed end that is used as part of the fastening clip. To use this type of end cap, string the necklace as desired, secure the end with a knot, and glue the end bead or stone inside the cap, using hot glue or jewelry glue.

Pinch Type End Caps

A pinch type end cap is most often cone-shaped with two side pieces, and made of a pliable metal. The end of the bead strand is threaded through the cap. The two sides are then pinched together, using a small jewelry pliers, to secure the fastening.

Ball Type End Caps

A ball type end cap is most often used when stranding jewelry on wire, or when using tiger tail. The end of the wire is threaded through a ball. The ball is caught inside the end cap and glued, soldered, or pinched in place. The tail of the wire is then clipped very close to the cap to secure the strand.

Cone Type End Caps

Cone-shaped end caps are often used to finish a necklace or bracelet that is made from multiple beaded strands. The cone at the end is used to bring the strands together and conceal the end knot. A cone-shaped end cap is usually used in addition to a clasp. The bead strands are threaded through the cone, around a clasp loop, and back through the cone. They are then tied together so that the knot is secured (and hidden) inside the cone.

Sizes of End Caps

Generally, the size end cap needed to complete a piece of stranded jewelry will be the same size as the beads or stones being used in the piece. If you're using a glue type cap, you will need to be sure that the beads you are using will fit inside the cap.

Other Design Uses for an End Cap

Aside from its uses as a clasp or in finishing a beaded jewelry piece, an end cap may also be used to transition a jewelry design. An end cap may be used to attach a beaded strand to a length of chain, to attach several strands of beads to a single strand, or to attach a pendant or charm.

Multiple-use Materials For Children'S Art Projects

Proper storage of used craft materials makes them useful for future projects.

Reusable materials for children’s art projects are readily available in most homes. Instead of throwing away partly used supplies, store recyclable materials. They can provide inspiration for children's art projects and will save you money. Recycling supplies allows children to explore their resourcefulness and lessens waste.

Left Over Papers and Craft Materials

You can easily store paper bags, surplus greeting cards, stationery, visually appealing price tags and craft supplies in a box for future use. Proper storage of out-of-date calendars or old newspapers and magazines gives you a handy option for supplies for art and craft projects, school assignments or personal artwork. Handmade paper and wallpaper leftovers are also reusable materials for a wide array of art projects.

These paper supplies be used to create origami, paper mache and paper mosaic.

Old paper supplies and print materials can also be used for collage art, photos and cutouts children need for homework, decorative masks and embellishments for scrapbooks.

Carton Boxes

Instead of throwing away packages and boxes, sort and stack them in an accessible place so children can access them for projects. Shoe boxes can be used for storage or as raw craft materials for children’s artwork. Set aside boxes as is or flatten them for more practical storage.

Boxes can be used as a base for projects such as magazine holders, bookmarks and dioramas. They can also be used as backgrounds for photo or art exhibits.

Plastic Bags and Foils

Plastic shopping bags accumulate quickly. You can store dozens of bags in minimal storage space. Children can utilize bags for many school projects. They can cut them into strands, then braid or weave them to create a small craft bag or purse. They can also use them as an accessory to a mixed-media artwork or as a primary material for plastic craft projects. Colored plastic and foils can be used to contour edges of a frame. The luster of foils can also be used to highlight or accessorize any artwork.

Do Card Shuffling Methods

Do Card Shuffling Tricks

In magic, very few things are actually as they seem. It should come as no surprise that very few tricks that appear to rely on card shuffling actually are dependent of card shuffling. One easy to do trick shuffle involves keeping the top card on the top. It is useful in "discovering" a selected card.

Instructions

1. Direct a spectator to select any card. Have him memorize it and even show it to other audience members. Next he should place the selected card on the top of the deck.

2. Pick up the deck with the left hand. Hold the deck so that the bottom of the deck faces the right (or the fingers) and the top of the deck faces the left (back of hand). Allow audience to see the bottom card.

3. Using the right hand, pull a small amount of the deck (this group is called a packet) from the middle out and place it on the bottom. Repeat this several times.

4. Drawing attention to the fact that previous packets have been from the middle, pull the entire top half of the deck up and place them at the bottom of the deck. In doing this, apply the left thumb to the top of the deck so that the top (selected) card is not removed. If the packet is removed and replaced smoothly, the fact that the top card is retained can go unnoticed.

5. Repeat this top shuffle move, using the thumb to hold the top card in place several times.

6. Cut the deck so that the top half is in the left hand, and the bottom is in the right. Perform a riffle shuffle on the table, being careful to start the right before the left so that the top of the left side packet stays on the top of the entire deck.

7. Reveal that the selected card has magically ended up on the top of the deck

Do Calligraphy With Fine Tip Calligraphy Markers

Calligraphy markers come in a variety of tip styles and sizes. A fine-tipped calligraphy marker is typically used for outlining, but it can be used for any calligraphy project from start to finish. By practicing simple directional techniques, you can create complex calligraphy letters to enhance your artwork or create expressive logos suitable for framing. Fine tip calligraphy markers are readily available and should be a part of any calligrapher's toolbox.

Instructions

1. Place the tip of your calligraphy pen on your drawing surface to draw thin lines. Use a smooth non-bleeding paper to prevent your marker lines from spreading. Keep the tip pressed against the paper as much as possible while you draw. Lifting and setting it down again can disrupt the flow of the lettering.

2. Curve your wrist as you move into wider lines. To get these lines with a fine tip, work from the side of the tip rather than the point. Curving your wrist helps you move into a wider line without disrupting the shape of the letter.

3. Outline your letters to add contrast. A calligraphy pen with a fine tip is ideal for this purpose. To achieve an outline effect, go over the outer perimeter of each letter when it's finished. Apply slightly more pressure to make a more distinct impression in the outline.

Valet Parking Problems

Valet parking is convenient, but can be risky.

Valet parking is a service thats offered at luxury hotels and swanky restaurants. An employee or valet, as they're called, will park your car on arrival and retrieve it when you're ready to leave, usually for a fee.

The Tip

The tip is not mandatory, but definitely expected if you want a valet to take excellent care of your vehicle. The tip tends to be expected on arrival and departure, as you may not have the same valet both times. This can be prove to be an expensive service when you add tips for valets.

Stolen Items

Handing over your keys over to the valet gives him full control of your vehicle. An article on BuffaloNews.com reported of a valet impostor who tried to steal a Mercedes-Benz. Making sure that the valet shows an identification card is wearing the correct uniform usually reduces the risk.

Damage to the Vehicle

No matter how good the valet is, there's always the probability that she might scratch or dent your vehicle. Some of the problems that arise are accepting responsibility, notifying the owner of the damage and maintaining the proper insurance.

Do Black Metal Vocals

If you want to sing black metal, you probably already know all about vocalists like Shagrath and bands like Exciter, Exodus and Primal Fear. Black metal singers differ in style and vocal range. Some scream or growl while others sing with a clear operatic voice. Read the following tips about develop your own black metal vocals.

Instructions

1. Learn singing basics. You need to know the mechanics of how the voice operates and how the throat, diaphragm and breathe relate to each other when you sing. Even when growling death or black metal, the more you learn about vocal functions, the better you'll be able to produce the sounds you want.

2. Select the vocal style that is appropriate for your voice and personality. You can sing in a high-pitched shout or a raspy lower register growl. Practice singing with your own lyrics or with songs by Mayhem or Dimmu Borgir.

3. Practice singing along with your favorite black metal songs. Once you have mastered that, turn the volume down and concentrate on your own vocal technique. You might sound better with a back of the throat gurgling sound or a deep-down sci-fi monster growl, experiment and gauge what feels more comfortable with your voice.

4. Perfect a guttural black metal sound. Leave the throat open and let air out by pushing it with the diaphragm. Project this sound with your mouth slightly closed or in a round O shape. Control your vocals by positioning air towards the roof or your mouth.

5. Protect your voice. Drink water and juice and put the beer away before show time. Save that for later. Drinking alcohol can cloud up your vocals and prevent you from hitting high notes.

Make Faux Fire For Fake Logs

Recycle a food can into a faux fire.

Fake logs look more realistic when accompanied by faux fire. Whether your pretend fire is contained within a theatrical fireplace or inside a ring of stones for a simulated campfire, adding motion to the fake flames and illumination to the overall fire is necessary to produce a convincing blaze. Build a fake fire using items commonly found around the home and a battery-operated personal fan. Battery-operated personal fans are available at discount, electrical appliance and outdoor supplies stores.

Instructions

1. Arrange the fake logs so there is a hole or space in the center of the group large enough to accommodate the can you have selected.

2. Use a can opener to remove the bottom of the can leaving a metal cylinder.

3. Cut two cardboard squares to hold the fan away from the ground to use as a stand. Make sure the bottom edge of each square is even and flat. Position a square on each side of the fan's handle portion so there is at least ½ inch of cardboard protruding from beneath the fan handle. Tape the cardboard to and around the fan with electrical tape. The fan must be elevated to allow for airflow.

4. Tape strips of yellow, red and white silk or nylon fabric or tissue paper to the inside and outside top rim of the can. You choose the can's top. Strips should be of varying lengths and widths, long enough to be seen above the fake logs when stretched above the highest log.

5. Tape battery-operated LED lights around the outside of the can's rim with electrical tape. Turn on the lights.

6. Place the can in the center space prepared in the log grouping. Turn on the fan and place it in the center of the can on the cardboard "legs" taped to the handle. The fan will blow the attached strips simulating flames as the lights illuminate the fire from within the fake logs.

Coach Youth Baseball Pitching

Coaching youth sports can be an interesting experience. One one hand, you want to make your young athletes the best they can be out on the playing field. However, you don't want to do anything which could risk their health. It is this reason that makes it so important how you treat young pitchers. The last thing you want to do is damage a young arm, after all. You also don't want the young athlete to not know the basics.

Instructions

1. Work on the mechanics from the mound with the young pitcher. Stress just how different it is to throw from a mound than from a flat surface. Teach the pitchers the proper way to wind up and deliver a baseball and do so without the player actually throwing a baseball. Make sure that the pitcher has his mechanics down to a science before he begins throwing from the mound.

2. Force your pitchers to practice placing pitches. A young pitcher isn't going to be able to fake a batter out with a breaking ball. Instead, he must be precise with where he places the ball. Conduct drills where the pitcher must throw the ball in an exact spot on five consecutive attempts. Then, move on to another spot.

3. Have your pitchers play catch as a way to strengthen their arms. Putting a youth pitcher through a vigorous strength training program is dangerous as you could injure the arm of the athlete. Simply playing a light game of catch will strengthen the appropriate muscles in the throwing arm without damaging it.

4. Teach your pitcher to trust the catcher. It is a catcher's job to call the pitches. While a pitcher can shake off his catcher every once in awhile, the pitcher must believe in his catcher's judgment or else there will be definite problems out on the field. Make your pitchers and catchers work with one another so they can get used to each other. In the same way, you should work with your catchers and teach them call an efficient game.

5. Show your young pitchers watch a runner on base. A common mistake that many adolescent pitchers make is forgetting about any batters which make their way onto the base paths. It's important that these young pitchers learn watch these base runners without losing focus on the batter at the plate. While doing this, you should also teach the proper way to attempt a pick-off play.

6. Never teach a breaking ball to your young pitchers. Chances are that your youth pitchers will want to emulate their idols by throwing sliders and curve balls. Emphasize to them that these pitches can severely damage a young arm, maybe even causing the player to need surgery. You should not just avoid teaching breaking balls to your young pitchers. Stop them from throwing these pitches as soon as they begin.

Write A Highly Effective Telemarketing Script

Write an Effective Telemarketing Script

An effective telemarketing script, first and foremost, keeps the person on the receiving end of the call interested enough to stay on the line. To do this, the telemarketer must capture the attention of the potential client early, not losing them in the required legal language at the top of the call. Brevity, clarity and immediacy will most likely to keep a respondent on the line.

Instructions

1. Write a compelling lead. According to Diana Mey, a company that crusades against telemarketers, a survey revealed that 98 percent of respondents said telemarketing calls made them "angry." This overwhelming bias against the telemarketer makes it essential to prove within the first 10 seconds that the call is worth taking.

A lead is essentially the beginning of the call, in which the telemarketer introduces himself and reads any compulsory legal jargon. Because this portion is likely to be particularly uninteresting to the average person, it is important to put in some bit of potentially compelling information, a "headline" of sorts. This headline should have immediacy, justifying the timing of the call.

This could be as simple as mentioning a good deal that the company is offering, or, if you are calling for a cause, a short explanation of the cause. Quickly incorporate why the offer must be acted on now, or why the timing of this call is important. This will give the respondent reason to pause and think, rather than allow her to hang up without really knowing the purpose of the call.

2. Continue stressing the immediacy of easily-grasped issues as you move into the pitch. Many telemarketing scripts are overloaded with facts and figures that can distract the telemarketer in the moment. You should incorporate facts from a "cheat sheet," but the important thing is to continue driving home the reason why the call is being made at this particular time, and to do so in simple language. Include facts and figures as a resource in a section at the bottom of the script, but statistics generally bore people and signal that the telemarketer is reading a script.

3. Craft three rebuttals, each one shorter than the next, to objections from respondents. A saying in telemarketing is, "Your job starts with 'no.' " When 99 percent of the potential clients say "no" to the first pitch, the telemarketer must be able to bounce back with ease, and a script with a well-crafted rebuttal will help him to do so. Include a short acknowledgment of the potential client's objection (e.g., "I understand the hesitancy, but we're asking right now [Mr. Smith] because..."). Then, continue to hammer home the immediacy of the pitch, often including much of the same information phrased a bit differently. If there is a secondary, somewhat immediate issue, mention it within the first rebuttal.

Repeat this strategy for the next two possible rebuttals. If there is a common objection that the calling campaign receives (e.g., bad economy), it is useful to craft opening lines to those rebuttals that explicitly acknowledge and then refute that concern.

4. Conclude with grace. If the telemarketer fails to close the deal in four pitches, it will be time for her to move on. Writing a graceful sign-off for the telemarketer will leave the person on the other end of the line with a good impression of the company. Sometimes the telemarketer is flustered and frustrated by the conclusion, so it helps to have an official "thank you" to read at the end. Make the sign-off short but sincere, as the person on the line has the potential to be a future customer.

If the telemarketer closes the deal, an alternate paragraph should thank the customer in one short sentence, and then move to method of payment. Dwelling on the thank you, or overselling, could lose the sale.

5. Structure the script so that it's easily read. You may want to consider buying telemarketing script template software to help make the format readable.

The lead should be its own paragraph, with bracketed prompts for fill-in info, e.g., [telemarketer's name], [name of company]. Each pitch should be its own paragraph. The conclusion, whether it's a sale or a refusal, should be a separate paragraph. One option is to put the sale and the refusal paragraph in parallel columns at the bottom so that the telemarketer can easily jump to the proper one.

Fresh paint Portraits Stepbystep

Even for experienced artists, portrait painting can be very difficult. Viewers are sensitive to the smallest errors, so in order for a portrait to look correct--unless artistic liberties are being taken by the artist--it must be nearly perfect. Although there are steps you can take to fix or avoid errors while portrait painting, portraits are an advanced subject. If this is your first time painting, start with a simpler subject and work your way up to portraiture.

Instructions

1. Choose a photograph of your subject. The easiest portraits are of subjects who are looking into the camera, facing straight ahead, with mouth closed. Younger, unwrinkled faces will be easier. The photograph should be large and in focus, with many details.

2. Draw several studies of your photograph. These drawings will prepare you for painting your subject and should be done on paper.

3. Draw the outline of your subject on the canvas. Do not draw details--only the outline of the face and the horizontal axis across the face through the center of the eyes and the vertical axis down the middle of the face. These axes will help you position the features of the face when it is time to paint.

4. Mix your flesh tone. Flesh tone for light skin is made with a mixture of red, yellow, white, brown and a little bit of blue. Flesh tone for dark skin is made with a mixture of red, brown, yellow, blue and a little bit of white. Experiment with the color of the paint until you have found the right flesh tone for your portrait.

5. Thin the paint with paint thinner. Apply the first coat of paint to the canvas with a flat, medium-sized paintbrush. Paint a layer of flesh tone over the face, paint a layer of hair color over the hair and paint a simple flat background behind the figure. Keep the background simple for your first few portraits until you are comfortable with the process.

6. Build up the paint slowly on the canvas. Switch to smaller paint brushes as you begin to add details. Add larger details first, such as the basic structure of the eyes, nose and mouth. The eyes should be placed on the horizontal axis you drew in step 3, which may still be somewhat visible through the paint on the canvas. Eyes are typically seen as "football-shaped," but take a careful look at the eyes of the figure you're painting in order to make the most realistic pair of eyes possible. Also note that the whites of the eyes are probably not pure white, but rather a gray-white or yellow-white.

7. Indicate the location of the nose with subtle shadows, down one side and underneath. Try not to use an outline for the shadows. Notice that the nostrils are likely not very visible--pay specific attention to the actual shape of the nostrils. Never paint round nostrils unless that's really what you see.

8. Draw the mouth with two sets of lips. Lips are not usually bright red unless makeup is involved. Paint a line that grows thicker toward the middle and thinner at the sides for the bottom lip, and a line that is thinner at the sides and thicker in the middle for the upper lip. Pay special attention to the actual shape of the lips in order to paint the most realistic lips possible.

9. Add shadows and highlights. Shadows on flesh are usually best painted with shades of brown, reddish-brown, green or blue, rather than black. Highlights may show up in the hair as a light shine. Blend the shadows and highlights into the painting using a dry brush, in order to make these areas appear natural.

10. Continue to add details. The smaller the detail, the smaller the brush you should use. By this point, you should be adding details like eye lashes, eyebrows, pupils and small wrinkles (when applicable).

11. Put the painting aside for a few days and come back to it when you feel that you can look at it from a fresh perspective.

Create A Remarkable Portfolio Attending College

Portfolios are a great way of presenting your work.

There are several ways to make a portfolio stand out from the crowd, whether you need one for a hand-in, a college interview or for a job interview. When tutors, independent markers or future employees look at a portfolio they want to see a clearly presented, clearly labeled and clearly outlined brief so that they know exactly what they are looking at and why they're looking at it.

Instructions

1. Read the brief. If you have been given a brief or instructions, read through these and make sure you know exactly what is required of you. The least impressive thing will be if you get the brief wrong.

2. Spread out all the potential work you think you may want to include in the portfolio on a table or a floor. This will give you a chance to look at all your work at a distance and see what pieces stand out.

3. Separate your work into two sections: finished and unfinished, then move all the unfinished work out of the way so you can concentrate on work that is 100 percent complete. You should never include incomplete work in a portfolio.

4. Pick out 20 pieces of work that you think are the strongest or you like the most. If you are unsure, ask a tutor or a friend to give you an opinion.

5. Organize your work into color, subject, style or categories. When individuals are looking through your work, they want to see thoughtful structure. It is not going to look very impressive if everything looks like a mismatch of color or style.

6. Pick out the strongest pieces of work and put them in order. On the back, label them 1 to 20 so that you do not get confused.

7. Place the work, in order, into your portfolio and ensure everything fits correctly. Do not use it if it does not fit correctly. Messy, ill-fitting work will not look impressive.

8. Label your work and create a cover sheet. Ensure all the fonts are the same and are the same size. This will create a complete, all-together feel to your portfolio and will allow those looking at it to navigate their way around easily.

Help Make Your Own Gift Basket Using Practical Products

Fill your recycled gift basket with practical items.

If you are looking for a creative gift to give someone special but you don't have a large budget, then consider making your own gift basket. Use an old basket that you have around the house. If you don't have one that you can recycle, buy one from your local thrift store for a few dollars. Just make sure the basket that you use does not have any broken weaving.

Instructions

Basket Basics

1. Select a basket. Your basket can be any size -- just remember that you must fill the space.

2. Fill the basket with a layer of confetti, cloth or tissue paper. This provides a base on which to arrange your practical gift items.

3. Arrange practical items in the basket that are related to the gift recipient's tastes.

4. Cut about a 6-inch decorative ribbon, and tie it on top of the basket handle.

Kitchen Gift Basket

5. Place a cloth napkin or two across the bottom and up the sides of the basket. Cloth napkins, which you can buy from a retail store or an antique store, add charm and elegance to a gift basket.

6. Arrange a set of measuring cups, several bottles of spices, a vegetable peeler and a lemon-scented drain cover for the gift recipient's sink.

7. Tuck a set of blank recipe cards into the basket. Fill out the top card with your favorite recipe.

Leisure Gift Basket

8. Fill the bottom of the basket with shredded newspaper strips.

9. Tuck sharpened pencils, pencil sharpeners, erasers, crossword puzzle books, a best-selling book and several bookmarks into the newspaper confetti.

10. Purchase an electronic book reader instead of a hard-cover book, if your budget allows, and tuck it into the basket.

Beauty Gift Basket

11. Cut open a resealable, plastic, gallon-size bag with a pair of scissors, and spread it out in the bottom of the basket.

12. Pour bath crystals on top of the liner so they fill the basket at least halfway.

13. Stick a miniature candy scoop into the crystals. Place bottles of nail polish, nail files and makeup brushes in the crystals.

Do You Know The Areas Of An Ink Pen

Several parts make up an ink pen, and they vary depending on the pen. The most popular ink pen is the ballpoint pen but other types are also widely used. The mechanics behind any ink pen is basically the same: draw ink down and transfer it to whatever material is to be written on.

Types

The most common types are the ballpoint pen, the rollerball pen, the fountain pen and the felt-tip pen. Each of these ink pens are constructed differently from each other and utilize different parts and materials to function.

The Facts

The tips of most ballpoint pens and their springs are usually made out of brass because of its resistance to corrosion. The roller-balls used to be made out of steel but are nowadays made out of tungsten carbide because of its strength and resistance to deforming. Ink tubes and cases can be made out of any number of materials, including plastic, aluminum and steel. Inks are usually specially made by the manufacturer, and any number of materials can make ink for pens. Rollerball pens are the same as ballpoint pens except they use different, more easily-absorbed inks.

Fountain pens contain a case, cap, point, feed, section and sac. Gold alloys used to be used as tips for fountain pens because of its resistance to corrosion. The feed is used to control ink movement, and is usually made out of a type of rubber. The section joins parts of the pen and holds all the parts together.

Function

All types of pens serve the same function. They are used to make markings on paper and other materials. Ink is drawn down to the ball and point in ballpoint and rollerball pens. The ball grips ink, and as it rolls, transfers ink onto paper. Felt-tip pens use capillary action to draw ink down to the point. Fountain pens are a little trickier, as ink is drawn down to the point or nib, which is slit in two. As pressure is applied, the nib separates slightly and ink draws down to whatever material is being written on.

History

Ballpoint pens have been around for more than a hundred years but they did not receive significant use until the 1950s. The first patent on the idea of the ballpoint pen was issued in 1888 on Oct. 30th. These pens leaked however until the idea was perfected in 1945 by Baron Marcel Bich, the founder of Bic pens.

Significance

Ballpoint pens are the most popular type of ink pen, as nearly 100 million ballpoint pens are sold around the world each year.

Perform A Political Cartoon For Children

Politics can often be a difficult subject for kids to grasp. This is why it is important to present political events and figures to them in a manner that they understand. Kids learn well through visual mediums, so transforming the lesson into cartoon form is something that will capture their attention and stay with them. A political cartoon for kids can be created in just a few steps.

Instructions

1. Determine the political situation you want to depict. This may be something that is currently making headlines, or even an event that took place long ago that has affected today's society.

2. Simplify the situation into five to 10 scenes. Take a piece of paper and write the numbers 1 through 10 in the columns. Then write short sentences describing individual aspects of the event beside each number. Don't include anything overly complicated. Instead, make each scene relevant to the child or group's language and experience level, while adding humor whenever possible.

3. Use a ruler to create square boxes, side by side, for each scene on a blank sheet of paper.

4. Draw the cartoon, placing each scene from your list into a new box. You can do this using ink to create the initial outlines, and then color the figures in with colored pencils, crayons or paints.

5. Write the captions from your initial list underneath the image boxes. You may also choose not to include captions, allowing the images to speak for themselves if they are simple and clear enough.

Suggestions For Black & Whitened Photography

Black and white photographs can often be more powerful than color.

With the rise of color photography many new photographers neglect the medium of black and white. However, black and white photographs can bring a whole new perspective to an image. Many people even consider black and white to be more powerful and emotive than color, which makes it an important tool in your photographic arsenal.

Portraits

Black and white photography can work well for portraits. The absence of color can be flattering to a model; skin tones are mellowed and softened, removing blotches, blemishes and uneven shading. The result can be a more elegant and dignified portrait than would be achievable using color.

High Contrast

The use of contrast can work very well in black and white photography. The blacks are usually darker and the lights are lighter, resulting in a more drastic contrast and adding a dramatic feel to the image. This strength of black and white photography can be applied to portraiture and fashion photography. Try placing a model in a white dress against a dark background for a stunning effect.

Lines and Shapes

Black and white photography allows you to see lines, shapes and patterns more clearly. This means that you can make a photo appear more abstract by focusing on lines and shapes within the frame. Try shooting telephone lines or overhead cables. This will also make use of the contrast between the lines and the bright sky.

Landscape

One subject that many people do not even think to photograph in black and white is landscapes. However, if the day is dull and overcast, instead of using color and capturing the dullness, you could use black and white to capture the scene in its true glory. Cityscapes can also provide a strong platform for black and white, as the buildings are often lacking color already.

Emotional Scenes

The powerful and emotive nature of black and white photographs makes them the perfect medium to capture emotional scenes. For example, a black and white photograph of someone visiting a memorial will often carry more emotion than the same photograph in color.

Create A Homemade Water Filtration

Make a Homemade Water Filter

Over the last decade, commercial water filtration pitchers and tap purifiers have become popular products for improving the taste of drinking water by reducing the presence of trace minerals like iron and sulfur. Though the effects of these filters may seem miraculous, they function using simple principles and easy-to-replicate materials. So if your water needs freshening, but you can't buy these products (or just want to save the money), you can create your own similar filter for a fraction of the cost.

Instructions

1. Line the strainer with a coffee filter. For best results, the entire inside of the strainer should be covered, so if you have the option of using a small enough strainer to allow this, do so.

2. Measure about 2 tbsp. of charcoal and spread it across the bottom of the filter lining. You may need to adjust the amount according to the size of your strainer, so use enough charcoal to fully cover the bottom of the basket (it's okay to have a little extra).

3. Select a second coffee filter and trim it. Press the filter on your work space to flatten the crimped edges, then use your scissors to trim about a half an inch around the outside. Trimming this inner filter will prevent it from covering up the outer filter, allowing you to see if the outer portion starts to slip down and let out particles of charcoal.

4. Cover the first filter and charcoal with the trimmed coffee filter.

5. Pour water through the completed filter to purify. Store in the fridge when not in use to prevent mold or mildew from the moisture.

6. Replace the coffee filters as needed if they become clogged or tear. The charcoal will need to be replaced periodically as well, but how often depends on your water, so judge based on the taste you notice.

Perform A Drum Roll

One of the hardest skills when learning to drum is the drum roll. Once you get the hang of it, any other rudiment will be a snap. It requires practice, patience and a keen ear to develop the ability to make the cleanest and most even drum roll, like the ones the pros do. Just hitting the drum is an instinct we all have. What you need to learn to do is to control the bounce of the sticks and then use it to roll.

Instructions

1. Get out your practice pad or drum and your drum sticks. Do your preferred warm up routine to get started.

2. With each hand practice hitting the drum two times in a row with the same hand. Keep practicing and see how fast you can hit it two times with the same hand. This is the beginning of a drum roll. Be sure to not be hitting extremely hard and keep your sticks fairly close to the drum head. You should be using your wrists to create the motion instead of your arms.

3. Alternate double stroking the drum between hands: RR LL RR LL RR LL RR LL. Try this faster and faster. Your sticks should not drag on the head after the hits. You should be flexible enough to allow the bounce from the first hit to make the second hit and then be catching the stick before it can hit it again.

4. Record yourself practicing with the tape recorder and play it back. Listen to see if one hand is sounding stronger than the other or if your second tap on the drum is weaker than the first. With practice these taps and each hand should become even.

5. Practice until you are fast and even enough to not hear the difference between each hand or the first or second tap. You should now be doing an actual drum roll.

Proof Book Printing

Proof books are a great way for professional and amateur photographers to showcase their work. Unlike regular photo albums, proof books are custom printed and bound, with no loose photographs or pages. Professional proof book printers such as myPhotopipe and Full Color offer simple, elegant proof books suitable for showing to potential clients. Photo printers like Shutterfly offer a great variety of photo book design choices, and work well for home photographers who want a memory or special occasion photo book for family and friends. When choosing a proof book printer, customers should consider what they want the finished book to look like, including the size, layout and cover choices, as well as the proof book printing cost.

Features

Photo proof books can have simple layouts of one photo per page, or include multiple photos or backgrounds, depending on what design choices the printer offers. For example, myPhotopipe offers 4, 6, 8, 12 or 20 pictures per page, all on a black background with a white text caption. Full Color spiral-bound proof books offer 4, 6, 9 or 12 pictures per page on a black or white background. Full Color offers leather-look or photo covers for hardcover proof books, and custom photo covers for soft cover proof books. These types of books can have any layout the designer chooses, using the downloadable design templates. Shutterfly offers cloth, padded and leather-look book covers, with a photo printed on the cover or a cut-out area to see the first photo inside. Shutterfly also offers a variety of photo background colors, designs and layouts for occasions such as weddings and holidays.

Types

Photo proof books are available in several types of bindings. Some photo printers, such as myPhotopipe, only offer spiral bound proof books, while others, such as Full Color, offer soft cover, lay-flat and hardcover photo books, in addition to spiral bound. Some photo printers, such as Shutterfly, offer only soft cover books in small sizes and only hardcover books in larger sizes. Spiral bindings make proof books lie flat when they're opened for easy photo display, while perfect bindings (the type used in hardcover and soft cover books) give the proof book a more professional, finished appearance. Lay-flat books have a hinged binding that combines the lay-flat characteristics of a spiral binding with the look of a perfect binding.

Size

Most photo printers offer proof books in a variety of standard page sizes. For example, myPhotopipe offers proof books in 8-by-10 inch, 10-by-13 inch, 10-by-15 inch, 8 1/2-by-11 inch and 11-by-14 inch sizes. Full Color's photo proof books come in 5-by-5 inch, 6-by-4 inch, 8-by-8 inch, 8 1/2-by-11 inch, 10-by-10 inch and 11-by-11 inch sizes, depending on the type of binding, while spiral bound proof books are only available in 10-by-13 inch sizes. Shutterfly offers photo books in 4-by-4 inch, 5-by-7 inch, 8 1/2-by-11 inch, 8-by-8 inch and 12-by-12 inch sizes. Full Color has a minimum of 20 sides (10 pages) and a maximum of 100 sides (50 pages) per proof book, while myPhotopipe offers books with up to 75 pages, and most Shutterfly photo books can have up to 100 pages.

Time Frame

Since proof books are custom printed, they generally take more time to print, bind and ship than loose photo prints. For example, Full Color requires approximately 3 business days to print and bind a hardcover, lay-flat or soft cover photo proof book, and 1 to 2 business days to create a spiral bound proof book. Rush service, when available, can have the photo proof books printed up to twice as fast, at up to twice the cost. Shipping takes approximately 2 days. Shutterfly requires about 2 business days to print photo books, and offers standard, 2-day or next-day shipping.

Considerations

Professional proof book printers such as myPhotopipe charge approximately $1.50 to $5.00 per page, depending on the size of the proof book. Full Color charges about $1.00 to $3.50 per page for spiral-bound proof books. For books with 10 pages or less, Full Color charges about $30 to $68 for a hardcover photo book, $53 to $83 for a lay-flat photo book, and $16 to $27 for a soft cover photo book, and about $1.00 to $2.50 for each additional page. Photo printing services such as Shutterfly charge about $12 to $55 dollars per 20 page photo book, and about $0.50 to $1.50 per additional page.

Perform A Bicycle Start Working Fifa 06 Gaming

FIFA 06 is one of the most popular video games around. Players can form their own soccer teams and play several seasons' worth of games in a few days or weeks. One of the moves that many players love is the bicycle kick, yet not everyone can master it. There are a few ways you can perform this move, but you need to keep a few things in mind and always wait for the right moment.

Instructions

1. Wait for another player to pass you the ball. When you see the cross coming, repeatedly press the “B” key or button. This tip doesn’t work all the time, only occasionally.

2. Let your own player decide when to take the kick by setting the computer control higher than you usually would. Many gamers have found that one of their players will automatically perform the move at certain times throughout the game.

3. Have the player you want to perform the kick back away from the ball, as far away as possible. Then switch to the player who has the ball and move that player to the sidelines.

4. Throw the ball using your second player. The ball will move across the screen, but it won’t travel far enough for your first player to find it. The ball will bounce several times after it’s thrown. Move your player up to the ball and press the "Shoot" button. When the player gets to the ball, he will automatically do the bicycle kick.

Mix Enamel Auto Fresh paint

Getting your car painted can be a timely and expensive process. With the right tools, painting the car yourself is not difficult. You can save even more money by mixing the paint and adding just the right amount of reducer to stretch out the materials. Just follow the steps below and your paint gun will be full in no time and ready to go.

Instructions

1. Gather your supplies. You will need enamel auto paint with a color that closely matches your car, as well as a paint reducer and a hardener. You'll also need a spray paint gun and a funnel.

2. Estimate the amount of paint you'll need for the job. It's nearly impossible to pinpoint the exact amount of paint you need, but it may be better to err on the side of caution. Auto paint is expensive, and it's better to buy more when you need it than to have too much on hand.

3. Once you figure out how much paint you need, but only buy half that amount, and buy the an equal amount of paint reducer as well as a small amount of hardener. Enamel auto paints sometimes have different thinner ratios and require different amounts of hardener, but this information is always on the instructions right on the paint can. Most have a ratio of 16:16:1 (paint:thinner:hardener).

4. Pour the paint into a container -- make sure the container is perfectly clean before you pour. Add the reducer to the same container. Then add the hardener.

5. Mix the paint, reducer and hardener together in the container with a paint stirrer. Make sure the solution is totally mixed.

6. Take the funnel and insert one end into the paint gun, pour the paint mixture through the funnel into the gun. That's it, you're ready to paint your car.

Do A Simple Breakdance

The music for breakdancing.

Breakdancing is a form of dance created in the hip hop music community in New York City. It is characterized by fast-paced dancing to frenetic hip-hop, usually remixed with breaks in the music to accommodate the dance moves. The more skilled breakdancers perform mind-boggling moves that resemble acrobatics more than dance. However, if you are a beginner in the breakdancing world, you'll be pleased to know there are a variety of basic moves you can learn in a short period of time.

Instructions

1. Clear a space to form a makeshift dance floor. Hop up and down in time to whatever dance music you have playing. This is called an "Uprock." Modify it by jumping from side to side, or from one leg to the other.

2. Crouch down slightly so it looks like you're in a sitting position. You will actually be standing, so you'll need strong legs. Alternate kicking each leg out while simultaneously thrusting your upper body forward in time with the music. This is called an "Apple Jack."

3. Lean your upper body forward with your right knee outward. Stick your left leg straight out to the side. Put your arms straight out, so your right arm is directly to the right of your right leg and your left arm is straight out between your left and right legs. Keeping your leg straight, swing it in a clockwise motion out and towards your left arm. Right before your left leg hits your left arm, lift both arms directly up so the leg passes under them. Then jump up on your right leg and let your left leg pass under your right leg. You will then be back in the position in which you started. This is called the "Helicopter."

4. Stand straight up, then dive to the ground as if you were going to land in a push-up position. Right when your hands touch the ground, push off so you come back to a standing position. The moment your feet touch the ground, dive back to the ground and repeat the process. This is called "The Donkey."

5. Mix and match any of the above break moves in time with the music to perform some basic breakdancing.

Create A Fake Window

One way to add charm and dimension to a room is to add a fake window. These decorative windows can be used to balance a room, or to add a point of interest. There are several ways to make a fake window, however the easiest way is to use a curtain rod, a couple of curtain panels and hanging hardware.

Instructions

1. Determine where you want the fake window to be located. If you are creating a large fake window, center it in the middle of a wall. If you want to create a smaller fake window, position it on one side of your bed or place one small fake window on each side of your bed.

2. Measure the height of the curtains on your wall and make a small mark with a pencil. This is where the top of your curtain rod needs to be for the curtain to touch the floor. If you want your curtains to pool on the floor, lower the curtain rod 4 to 6 inches.

3. Use your level and a measuring tape to mark where your curtain rod hardware needs to go. Use a cordless drill and drill a pilot hole for your hardware. Install the hardware using the screws that came with it to fasten it securely to the wall.

4. Slide the curtain panels on the curtain rod and place the curtain rod on the hanging hardware. Center the curtain rod and fan out the curtain panels so the fake window looks like the curtains are pulled shut.

Do Karaoke

To really do karaoke, you have to start small and then expand. Serious karaoke enthusiasts treat karaoke like other people treat sports. Through karaoke, they meet new people, improve their own skills and some even use karaoke as a reason to travel. With a little time and effort, you can turn your karaoke appetite into a full-blown hobby.

Instructions

1. Start by practicing your karaoke singing at home. You can purchase karaoke music and equipment from a variety of sources. Develop a number of songs so that you have a repertoire to choose from. Once you're comfortable at home, you can move on to singing in public.

2. Get some friends to sing karaoke with you on your first time in public. Either perform at a party or go to a small, local joint where there isn't a lot of pressure to be spectacular. Before you sing, sit back for awhile and watch other people perform to get a sense of what the karaoke equipment set up is like.

3. Expand your karaoke singing by going to more karaoke bars and clubs. Choose one or two that are your regular haunts and perform there consistently. On other nights, visit new places with new crowds to get used to singing in front of a variety of audiences with a variety of karaoke set ups.

4. Network and make friends in your local karaoke circuit. Find out which clubs hold local contests, which clubs have the best equipment and which clubs have the best music and DJs.

5. Enter a local karaoke contest. As you start to place and win in local contests, expand to regional and then to national competitions.

Download Photos From Istock

Stock photographers post many photos online in hopes of making a profit.

IStockPhoto.com is a website where photographers can post their photos in the hopes that others may buy them to use them in publications such as newspapers, other websites and magazines. IStock is one of many sites in the industry of stock photography. Stock photographers post many photos and sell the rights at little cost in hopes of selling a lot more than high-priced prints. Downloading photos from iStock requires registration and choosing a purchase plan.

Instructions

1. Register as a user with iStock. Create an account at the website (see Resources). You will need to input a name, email address, password and agree to the legal terms of use for the site.

2. Purchase credits to be used on the site to buy photos. IStock does not list the price of the photos on the site. The prices are listed as credits, which are integers. You will need to buy credits to "spend" them on the site to download photos. Choose one of the several purchasing plans available. Choose the "Pay As You Go" plan to purchase credits in small and large increments if you are unsure how many you will need. Customize a subscription based on your needs as an individual or small company, or sign up for a long-term corporate plan.

3. Search for photographs on the site to match your needs. Use the search tips document iStock has provided its users (see Resources). The closer you can get to matching the search words with keywords the photographer used to describe his photo, the closer you will be to finding a picture that matches your needs.

4. Double-click on the image thumbnail to see it blown-up next to the price listings. Purchase the photo by selecting the pixel size to the right of the photo. A pixel is a piece of information contained within the image file dictating color and shape. If a photo has a smaller number of pixels, it will only look clear and defined if printed or viewed smaller. Therefore, selecting a photo with a higher pixel count will allow the photo to be printed larger with less loss in clarity. A photo with more pixels will also cost more credits. Press "Buy" after making your selection.

5. Select "Download" in the next screen. Select "Save" from the window which appears, giving you options about handle your new file.

6. Select any folder on your hard drive from the drop-down menu in the next window that appears. This will be the location on your hard drive where you will store your new photo file. You may also change the name of the file under "File Name." Click "OK" to finish saving.

Download Music To Digital Picture Frames

Use a USB cable to connect your digital photo frame and personal computer.

In addition to displaying slide shows of your favorite pictures, digital photo frames can also offer multimedia capabilities such as video and music playback. Although you may be aware of flash disk and memory card playback, your digital photo frame has storage space of its own onto which you may download media files. Use the digital photo frame's USB cable to connect with your personal computer for digital music file download.

Instructions

1. Connect the digital photo frame to your personal computer. Insert one end of the digital photo frame's USB cable into the device's USB port. Insert the other end of the cable into an available USB port on your computer.

2. Wait for your computer to recognize the digital photo frame as a connected device. The digital photo frame's device icon will appear on your computer's desktop or in its file manager, such as Finder or Windows Explorer.

3. Open the file folder containing the music you wish to download onto the digital photo frame.

4. Drag and drop the music files or folders from their file manager window directly onto the digital photo frame's device icon. Alternatively, you may double-click the digital photo frame's device icon to reveal its file folders and drag and drop the music files into a subfolder you previously created. This downloads the music directly onto the digital photo frame.

5. Safely remove the digital photo frame from your computer. Right-click the digital photo frame's device icon. Select "Eject" or "Safely Remove Device" from the drop-down menu before disconnecting the digital photo frame or USB cable.

Download Expensive Animations

Flash animations are available for download on many websites.

Flash animations appear across the Internet and provide hours of entertainment. The animations come in a variety of sizes. But they sometimes contain complex coding that takes a long time to load. Knowing download Flash animations will allow you to enjoy your favorite animations without having to download them constantly.

Instructions

Saving with Internet Explorer

1. Open Internet Explorer. Visit the web page containing the animation to be downloaded. Select the "Tools" menu and click "Internet Options" from the drop-down menu.

2. Click "Settings" in the Browser History section of the "General" tab. Click the "View files" button when the "Temporary Internet Files and History Settings" window appears. Wait for the "Temporary Internet Files" folder to appear.

3. Arrange the icons in this folder by type, to make finding the required file easier. To do this, click "View" and select "Arrange by Type." Scroll down the list of files until the Shockwave Flash Object (SWF) file appears. Right-click on the file. Select "Copy" from the pop-up menu. Open the folder on your computer where you want to save the file. Select the "Edit" menu. Click "Paste."

Art Restoration Education & Training

An art conservator at work

Those working in art restoration---a field often referred to as art conservation---are responsible for looking after the world's most important cultural artifacts and keeping them intact for future generations. It can be a difficult job, and one that requires highly specialized training in both the arts and the sciences.

History

The modern history of art restoration begins during the Italian Renaissance. Only 53 years after Michelangelo completed painting the frescoes of the Sistine Chapel, restoration work had to be done on them. The field became more concretized in the 19th century, however, when scientist Michael Faraday began to study the effects that the environment has on works of art. In 1888, art conservation and restoration was formerly established as a profession in Germany, when chemist Friedrich Rathgen was hired for the position at Berlin's Royal Museums.

Function

An art conservator's primary duty is to keep a work of art as close to its original position as possible, and for as long as possible. The training thus involves studying the science of the materials used in historical works of art, the environment's impact on those materials and the means through which modern materials can protect the art object from decay. It is a unique field in that it requires students to study both scientific processes and the history of art, fields which are typically separate on the level of higher education.

Significance

Those studying art conservation and restoration often come to learn that their field also has deeply ethical connotations. Art conservators are taught to intervene as little as possible to protect the integrity of a work of art. They also learn which materials are deemed appropriate for use in the restoration process---that means knowing which materials are likely to cause further problems down the line. Finally, art conservation students are taught the need to properly document every facet of the work they do, as future conservationists will need to consult it.

Types

Art restoration education and training is typically carried out at the graduate level. While studying for a master's degree in the field, students typically will simultaneously pursue an internship that gives them hands-on experience at restoration and leads them toward certification in art conservation.

Geography

Given the fact that ambitious art conservationists will spend much of their career traveling, many choose to get an early start by studying abroad. In the English-speaking world, some of the most prominent post-graduate programs in art conservation are in the United Kingdom. Studying at the Courtauld Institute, for example, allows you to work with some of London's most famous collections, while also traveling around Europe to other important sites of conservation and restoration.

Make A Simple Quilting Frame

Use a homemade quilting frame to hand quilt.

A quilt frame is used to hold the quilt top, batting and backing together to perform hand quilting. Quilt frames have been used for many centuries at quilting bees and by single individuals. A quilting bee is an event at which individuals hand quilt as a group. A simple and easy homemade quilt frame is made from lumber 6 inches longer than the quilt top's width.

Instructions

Instructions

1. Measure the narrowest dimension of the quilt to be quilted and write it down. This is normally the width of the quilt. Add 12 inches to the measurement.

2. Cut two pieces of 2- by 2-inch wood boards to the determined measurement.

3. Subtract 4r inches from the determined length of the 2- by 2-inch lumber. Cut two pieces of heavy canvas that are 4 inches wide to the determined length .

4. Center a heavy canvas strip on each board and staple into place. Staple every 2 inches for a secure and solid quilt-attachment strip.

5. Cut two 36-inch pieces of 2- by 2-inch lumber to use as side boards.

6. Use a running stitch and secure the quilt top, batting and backing to the quilt-attachment strips. Make sure to center the quilt.

7. Evenly roll the quilt on both wood strips until the distance between the wood strips is 36 inches.

8. Secure the quilt strips to the two 36-inch side pieces with C-clamps.

9. Set the stretched quilt and quilt frame on sawhorses or chairs.

Display Photos In A Science Fair

Display photos for science fairs on a tri-fold or on a laptop.

Science fairs are competitions where participants display the results of a scientific experiment. The displays are judged by a panel that scores the exhibits for the content of the experiments as well as for the clarity and originality of the display. Photographs are a way to let the readers and viewers see the experiments and witness the changes for themselves. To make your display competitive, give special attention to your choice of photos and to the manner in which they are presented and explained in the exhibit.

Instructions

1. Choose the photographs that you wish to display. Look for photographs that are in focus and that clearly illustrate various phases in the scientific experiment.

2. Write a caption or explanation for photographs, if necessary. Some photographs may need to be part of your explanation of what is happening in your experiments, others may just be displayed as additional information to accompany the exhibit. Captions that appear beneath or next to a photograph should be as brief as possible.

3. Explore various ways that the photographs can best be displayed in your exhibit. Look at options such as affixing the photos directly to a display board with glue, printing the photos on adhesive paper or placing them in stand-alone frames that can sit atop the display table. You can also make a slideshow and let it play continuously on a laptop. Other options include placing the photos in an album and leaving it on the table for viewers to browse or programming the photos into a digital photo frame.

4. Prepare the photographs according to how you have decided they should be displayed. Keep in mind that if you must have a caption, some options, such as picture frames, may not be appropriate. When preparing photographs for a display board, be careful to avoid over crowding or a messy appearance. Remember that judges score for content and presentation.

Display Kid'S Artwork

Show off your child's artwork to encourage her creativity.

Your child's artwork doesn't just have to build up in a pile on your desk. Rotate the artwork on display regularly to show off new art your child brings home from school or creates at home. Dedicate an area to your child's artwork, and display his artwork in a professional manner to give it importance and add a creative element to a room. Don't forget to hang your child's artwork at his eye level as well as yours.

Instructions

1. Use a clothesline to display your child's artwork. Make one long clothesline, or two or more shorter clotheslines above one another. Hammer nails into your wall about 2 feet apart from each other. This will help keep the clothesline from sagging under the weight of the paper. Use a level to make sure your clothesline will be straight. Tie clothesline or twine to the nails. Use clothespins to hang up your child's artwork.

2. Paint a wall in your home with magnetic paint. Use rollers to apply three to four coats of the paint to part of a wall, an entire wall or an accent wall. Allow the paint to dry between coats. Allow the paint to dry for a few days, then paint over it with the paint used elsewhere on the wall. Allow the paint to dry. Use strong magnets to display your child's artwork.

3. Paint a wall or part of your fridge with chalkboard paint. Use rollers to apply four to six coats of the paint. Allow the paint to dry between coats. Allow the paint to dry thoroughly. Supply your child with chalk and let her create art right on the wall or fridge.

4. Buy frames at thrift stores or discount stores, and hang them in a line along your hallway or in a pleasing arrangement on a wall dedicated to your child's art. Change the artwork in the frames frequently to display your child's most recent creations.

5. Buy a thermal coffee mug with a plastic sleeve. Slide your child's artwork into the sleeve, and your kid's creations can be with you throughout the day.

Pose For Portraits

Most of the time when we see a star strutting his or her stuff on the red carpet, we don't think about what they did to look so good for that close up. We only acknowledge the ravishing or polished results, but there are techniques even we "mere mortals" can employ to look our best the next time we strike a pose for a professional portrait or family photo.

Instructions

1. Research photographers in your area. Ask friends and family members who they recommend. You should always ask whether or not this person made them feel at ease. If you feel at ease, your likeness will show it. Also, ask to see samples of the individual's work, or search for it online at a business or personal website or online portfolio.

2. Position your body at an angle, so you are not looking directly at the camera or artist. This will diminish poor posture and add a great dimension to the composition of the body.

3. Jut your head out a little to minimize a double chin. Consciously move your chin forward a bit to reduce the look of excess fat or skin.

4. Keep your arms away from your sides. There is a reason why you consistently see stars with their hands placed firmly on their hips -- away from the body. Arms held tight against the body flatten out, causing the arm to look bulkier.

5. For a full-length portrait, stand with your one leg somewhat in front of the other. This helps to slim a heavier lower half or pear-shaped figure, and also creates an aesthetically-pleasing curve to the body.

6. Let your hands fall naturally. If you rest your hand on your chin without too much thought, the pose will appear natural instead of "senior portrait: circa 1985."

7. Relax and smile! Tension is easy to read on the face. Also, stress can appear hightened by the camera lens.

Release A Good Calf Muscle

A combination of self-massage and stretches can alleviate tight calves.

Tight calves are often caused by excessive plantar flexion of the ankle joint. When the heel is constantly lifted up, the muscle fibers and connective tissues in the calves are shortened, causing a constant flow of neural stimulation to the area. A combination of stretching, ankle- and hip-mobility exercises, self-massage and dry sauna treatment can alleviate tight calf muscles, suggests physical therapist Gray Cook, author of the "Athletic Body in Balance."

Instructions

Self-myofascial Release

1. Sit on the ground, and place the bottom of your left calf on top of a foam roller. Flex your left foot, and place your right calf on top of your left shin to place some pressure on it. Put your hands on the ground by your sides for support.

2. Roll your calf from your Achilles tendon toward the back of the knee. Hold and gently rub any tenderness or painful part of the muscle until the pain goes away.

3. Switch legs, and repeat the same self-massage method on your right calf. Do not rush through this exercise.

Multiplanar Calf Stretch

4. Place a half-foam roller parallel to a wall about 2 feet away. Put your right foot on top of it with your heel on the ground. Put your left foot in the gap between the roller and the wall and your hands on the wall. Turn your right foot slightly inward.

5. Shift your weight toward your left to increase the right calf stretch. Keep your torso upright, and tighten your right buttock slightly. Hold the stretch for three deep breaths.

6. Place your left foot across your body toward the right edge of the foam roll. Hold the stretch for three deep breaths. Do not move your right foot's position.

7. Put your left foot toward the left edge of the foam roll, and hold the stretch for three deep breaths. Perform three to four sets of stretches per calf.

Step-down

8. Stand on top of an aerobic step with your feet together. Do not add risers to the step.

9. Step your left foot down, and keep your right foot and heel flat on the step. Keep your torso upright. Hold the stretch for two seconds. Step back to the top.

10. Perform 10 reps for three sets per side.

Make Invisible Ink With Milk

Invisible ink is fun to use for secret messages to your friends. You can pass your friends notes and not worry about bullies reading them. There are several ways to make invisible ink, but making it with milk is probably easiest.

Instructions

1. Get a writing implement, such as a brush, fountain pen or anything else that can hold some drops of milk on the end. Put a sheet of paper on a flat surface.

2. Pour a small amount of milk into a cup or bowl. If you’re using a fountain pen, you need to make the milk deep enough for dipping.

3. Dip your writing implement into the milk. Write your secret message on the paper. You may want to use a code to make your message even more secret.

4. Allow the milk to dry thoroughly. It may take up to an hour.

5. Hide your message or give it to a friend. To expose the message, the paper must be rubbed over a heated light bulb for a few minutes. Or, you can iron the message through a folded paper bag, but be sure not to catch the bag on fire.

6. Read the hidden message. The fat in the milk browns from the heat to reveal the message.

Conceptual Art Projects

Art that attempts to convey ideas rather than using traditional aesthetic representation is referred to as conceptual art. Conceptual art can be conveyed through sculpture, painting, photography, video, poster or any other form of artistic expression. In his book, "Conceptual Art (Art & Ideas)," Tony Godfrey argues that conceptual art originated from the Dada movement of post-World War I Europe, which rejected traditional art in favor of cultural critique. A conceptual art project can take any form that empathizes meaning over the style and substance of the piece.

Presidential Ham

The brainchild of conceptual artist Bijijoo, the Presidential Ham project encompasses stately portraits of the then 43 United States presidents, each holding a ham. Using oil on a prepared board, Bijijoo told the website 2leep that he finally found a way to realize his dream of painting the U.S. Presidents. Students looking to emulate Bijijoo's concept may consider a series of paintings of fellow classmates or of their teachers. They could paint their subjects in a respectful, dignified manner holding a miniature version of their school's mascot. The message of this series would be that even though individuals are different, they are all united by school spirit.

Little People

In an attempt to promote greater awareness of people in their surroundings, the London artist Slikachu created the Little People Miniature Street Art Project. Using miniature model train figurines of people, Slikachu created different scenarios of daily life and set them out across the streets of Europe. Designed to represent the loneliness and melancholy of living in a big city, Slikachu's model scenes on park benches, cracked sidewalks, or potted plants by often go unnoticed by all but a few observant passersby. Student artists should not feel confined to their studios or classrooms when creating a conceptual art project. A collection of stuffed animals can be gathered, including action figures and dolls, and taken onto the street. The toys can be posed interacting with street signs, sewer grates, manholes, benches and any other interesting objects the artist comes across. The scenes can be photographed to form a narrative that explores the notion of a person's childhood dreams coming face-to-face with the real world. By framing, and ordering your photos, a compelling conceptual art exhibit can be created.

Conceptual Posters

During the Great Depression, The Works Progress Administration and its Federal Arts Project commissioned the creation of large posters that celebrated the scenic vistas and famous landmarks of the United States to remind the country of what they were helping to rebuild during such a difficult time. These stylized posters remain part of U.S. history and can be seen in the Library of Congress gallery. Using iconic imagery to depict scenes from the student's own community in a series of posters can be the beginning of her own art project. She can create a series of posters that celebrates iconic parts of her school's campus. Posters of the football stadium, student quad, cafeteria and library would help memorialize her school and possibly raise student morale.

The Gamer's Alphabet

A video game-themed children's book, artist El Jeffe's "The Gamer's Alphabet" teaches video game history and terminology using imagery and creative tag lines. Art projects targeted toward children provide artists the opportunity to tackle less serious subject matters for an audience that appreciates colorful design. The student can attempt to create his own children's book that teaches kids about social networking. "A" could be used for "A Friend Request," "B" for "Blog" and so on, all the way to "Z" for "Zuckerberg." Students can illustrate their books with colorful designs that help bring the different topics to life. When finished, have a reading of your children's book at your local elementary school.

Help Make Your Own Fresh paint Brushes

One of the most difficult tasks for an aspiring starving artist is staying supplied. A good quality paint brush is essential for good painting, but it's also less than permanent--and less than cheap. When the art-making budget is lean, it can be tough to scrape together funds for replacement brushes. Fortunately, if you can get your hands on some scrap locks of hair, it's possible to make your own paint brushes, saving you money, as well as a trip to the art store.

Instructions

1. Save hair for use as paintbrush tips. When getting your hair cut (or, when friends or family members are getting theirs cut), explain to the barber what you're doing and ask that the trimmed hair be preserved in locks and sections that are still together and long enough for paint brushes (about a centimeter longer than the length of tip you want). You can also use hair from an old wig or doll if the hair is still of high enough quality. Whatever you use, it should be straight, smooth, and free of any hairspray, gel or other hold products.

2. Select a section of hair to use as a brush tip. Choose the thickness based on what you're used to seeing in store-bought brushes, but make the length about a finger's width longer to account for the portion of the hair that will be glued and secured to the handle of the brush.

3. Fasten the hair section tightly with string. Tie the string closer to one end than the other, rather than in the middle. If you've already chosen an end to be the brush tip, tie further away from that end.

4. Trim one end of the hair section even on the non-brush-tip end.

5. Use a hot glue gun to secure the trimmed end of the hair. Be as generous with the glue as you can without interfering with the part of the hair section you want to paint with. This will secure the brush hairs and help keep them from falling out as you paint.

6. Cut a segment of dowel to about 7 or 8 inches (or whatever length you prefer for your paintbrushes). Ideally, it should also be as close to the thickness of your hair section as possible.

7. Attach the paintbrush tip to the end of the dowel using another drop of glue. Make sure the tip is attached to the flat end of the dowel, rather than the side of the stick, since you want to be able to paint by directing the center of your instrument.

8. Wrap masking tape tightly around the dowel and paintbrush tip to secure it in place.

9. Trim the tip of your paintbrush bristles into your preferred shape. You may decide to leave them as is, especially if your lock of hair has its own natural taper, but you'll want to trim any stray, long hairs that extend beyond the tip. You may also decide to create your own, less gradual taper, or trim the end flat.

Die Stamped Print

Die Cut Print

Die cut printing is a striking way to make unique die cuts using digital photographs, stock images or simple shapes and patterns. What’s great about die cut printing is that you cannot only make unique die cuts to use in your craft projects, but you can create an easy image project by simply clicking print. Die cut prints can be used in many projects from decorating scrapbooks and creating homemade cards to decorating paper dolls and making game pieces. Here’s make die cut prints for use in your many craft projects.

Instructions

1. Choose an image. With today's computer technology, you can choose just about any image to be printed. Find an image online or use your own images or photography. Consider the project you are making and download or find photos, images or designs that fit the project.

2. Glue the die cuts onto the printer paper. Using a repositional glue stick, glue the die cuts onto a piece of printer paper, card stock or photo paper, according to preference. You do not have to use photo paper when creating die cuts using digital images on your computer, though it is recommended that you use card stock for sturdier characters, especially for those you’ll be using in scrapbooks.

3. Secure the glued die cuts. Using your fingers, go over the edges of the die cuts, to make sure they are securely in place and completely smooth against the printer paper. Loose edges can get caught in the printer, causing it to jam.

4. Print your image. Carefully guide the prepared paper into the printer and print. It is best to print pages singly when working with die cuts and repositional glue rather than stacking them into the automatic feeder of your printer.

5. Allow the image to dry. Once the page has printed, allow the image to sit and dry for about 2 minutes before removing the die cuts.

6. Remove the die cuts. Gently remove the die cuts from the paper. Repositional glue was created to be able to stick and remove things while doing craft projects, but you need to be careful, especially with small die cuts and letters, that you don’t rip the characters. Set the die cuts, glue side up to dry. Repositional glue dries quickly and doesn’t usually restick without another application, but set them glue side up just to be safe.

7. Store the die cuts. Once the glue has dried completely, you may store the die cuts with your other crafts for use in later projects.

8. Use the die cuts. If you are using the die cuts immediately, there is no need to let the repositional glue dry. You should, however, use a craft glue that is fitting for the project (like a photo tab dispenser for scrapbooking or cardmaking) before placing the die cut in its permanent position.

9. Create projects using the positive/negative images left after the die cuts have been printed. While creating the die cut prints is a great way to finish a unique project, you may also create a project using the positive/negative image that remains on the printed paper once you’ve removed the die cuts. A good example of this is to find a photo of balloons. On a piece of photo paper, use die cut letters to arrange the words “Happy Birthday.” Print the balloon photo on your prepared “Happy Birthday” paper. When you remove the die cuts, a white “Happy Birthday” will show up on a colorful balloon background. Use characters or letters and arrange according to preference.

Develop Your Personal Manga Style

The style of Japanese comics known as manga is one of the most unique forms of art in the world. It often focuses on very dramatic storylines and gregarious characters. If you want to create your own manga, you should find a mix of keeping with its traditional style while developing and adding your own creativity.

Instructions

1. Read as many books as possible. This includes commercial manga novels as well as books showing draw characters. Learn the basics of art, characters and stories so you can use them for your means.

2. Develop your own storyline. Try something different from the overused stories (like the magical girl superhero team story). Once you've read several other books, create a story arc never done before.

3. Decide the age group your manga will be for. You can aim manga and anime at a wide range of ages, from young kids to adults. This will be crucial in determining how graphic your art will be.

4. Design the characters to go with your story. Remember, the character's personality is what will drive the character above all else. The personality will reflect through to the character's appearance and expressions.

5. Practice drawing your characters and writing your story as often as possible. Don't be afraid to re-draw your first drafts, if you get more ideas. Your first experiments with drawing manga will definitely be a work in progress.

6. Create as many story arcs as you can. The best manga often has several episodes and stories, like a comic book soap opera. Let your imagination flow as freely as possible.

Develop Energy Punch

While truly great punchers are born, not made, all of us can improve our punching power. Following the steps in these two separate sets of exercises will increase the power in your punch.

Instructions

Exercises to Improve Form

1. The first set of most elementary exercises for improving a power punch are sometimes called "shoveling." Simply put, you work on all the movements involved in throwing the punch except extending the arm and actually throwing the punch. If you are working on developing the straight right, start the entire movement beginning with twisting off the ball of the right foot, pushing up off the leg, twisting the hip and trunk, and finally the shoulder. Do not actually throw the punch. By subtracting the arm from the equation, you will focus instead on where 75 percent of your power ought to be coming from. Do sets of 15, with 3 to 6 sets per punch.

2. A key element to punching power is concussive snap at the end of the punch. Although it will sound hokey, a good exercise for developing this is to light a candle and try to put it out by throwing punches at it, targeting the space just a few inches from the candle. When you can put out the candle regularly in this way, you will have developed good snap, and good snap is the way to develop good punching power.

3. Never forget to visualize your punching target as being a couple of inches inside where you are aiming to connect. George Foreman, one of the hardest hitters who ever lived, was once described as "throwing punches through windows," meaning that instead of aiming a couple of inches inside the target, he was aiming for the window behind the target! This is the way to punch with power.

Strength Training to Improve Striking

4. As any student of martial arts knows, punching power is about putting as much of the muscle and mass of your body behind a punch as possible. It therefore follows that the best way to develop a power punch is to engage in a well-rounded strength training program, starting with where the plurality of your power should be coming from: the legs. Use the classic barbell step-up exercise to develop power in the hamstrings and quadriceps. Do 6 to 12 reps for 3 to 5 sets.

5. The second part of throwing a power punch is the twist of trunk rotation. Old school boxers call this "getting your hips behind it." A good exercise for this is called the Russian Twist: place yourself in the bridge position on the stability ball; hold the medicine ball above you at full arm length; starting movement from your core (not shoulders), rotate to one side, keeping your eyes on the ball. If the medicine ball is too heavy, start with just your hands instead. Do 12 to 25 reps for 2 or 3 sets.

6. A good weight training exercise for the upper body is the alternating dumbbell press. Similar to the standard bench press, it uses dumbbells instead. Press with one arm, retract, and then alternate to the other. The advantage is to do presses in a method similar to how you throw punches. Do 5 to 10 reps for 3 to 5 sets.

7. Finally, use the medicine ball to knit it all together. Take the medicine ball and adopt a fighting stance. Hurl the medicine ball the same way you would throw your straight punches. For example, use the motion of a right cross to throw the medicine ball at a wall. This can also be done for the uppercut, but not the hook. Retrieve the ball and repeat. 15 reps for 2 sets each for the jab, right and uppercuts.

Develop Figures For Any Script

The character development you do for your screenplay depends on what type of story you're writing. The majority of films today are plot driven, but there's still room for the character-centered story. Take the time to work on character development as much as a novelist does if you're writing a screenplay that focuses on your protagonist.

Instructions

1. Start with your character's biographical information. Independent Film and Video Chicago has a character questionnaire that walks you through this process. Scale back, though, if you want to give equal weight to your story line.

2. Decide what your character wishes to accomplish in the story. Start by writing out major scenes. Explore other scenes in your screenplay based on your minor characters. Make them lead your protagonist towards or away from his goal.

3. Figure out how your character is going to achieve what she sets out to do. This includes physical and psychological tools. Make sure his stubbornness gets him through difficulties. Let her charm and intelligence soften the wrath of her enemies.

4. Think about your story's time frame. Decide what period in history the story takes place. Audiences have expectations about character behavior and culture. They expect sexual repression in the 19th century and free love in the '60s and '70s, for example.

5. Explore the location where your story takes place. The inner city demands a different character than the suburbs. Any move or trip can bring your character revelations.

Create A Character Like Damon Wayans

Damon Wayans is a rare breed of comedian who excels in stand-up, sketch comedy and acting. A member of a large family of comedians that includes brothers Keenen Ivory Wayans, Marlon Wayans and Shawn Wayans as well as sister Kim Wayans, Damon has enjoyed a successful comedy career since the mid-1980s. Damon Wayans has a special gift for knowing develop memorable characters, many of whom were showcased on the early '90s sketch comedy show "In Living Color." Damon's characters are almost always over-the-top and often controversial. To develop a character like Damon Wayans, you need to be creative, satirical and fearless.

Instructions

1. Think outside of the box. Damon Wayans often creates unconventional characters like the "Head Detective" from "In Living Color." As a Mr. Potato Head version of a police detective, this character was featured in numerous sketches through the run of the show.

2. Embrace controversial material. More than one character Damon Wayans created was the subject of network censorship and public outrage. One example is Damon's "Handiman" character (later the inspiration for the movie "Blankman"). This physically challenged superhero who drools uncontrollably understandably drew some objections.

3. Impersonate famous people. Damon's impersonation of Louis Farrakhan from "In Living Color" is legendary. He also impersonated Babyface, Little Richard, Redd Foxx, Richard Pryor and Vanilli from Milli Vanilli throughout his career.

4. Commit to the character you develop. Damon rarely ever breaks character during a scene and is known for going all the way to play every character authentically, if exaggeratedly. For example, when portraying the character of "Blaine Edwards" from "In Living Color," Damon dons a miniature beret to play an effeminate gay movie critic opposite co-star David Alan Grier.

5. Give your character an unexpected twist. Several notable Damon Wayan's characters play against type such as the incorrectly articulate prison inmate, Oswald Bates and the angry ex-con kid's party clown, Homey D. Clown. To develop characters like these, take a stereotype and reverse it to create irony.

6. Review Damon Wayans' performances in the first three seasons of "In Living Color" to study the characters he made famous (see Resources below).

Detune An Instrument

There are several reasons why a guitar player would need to detune his guitar. Whether it is to change a worn or broken guitar string or to achieve a certain tone, a musician should have at least a basic knowledge of do this.

Instructions

1. Locate the tuning peg on your guitar and turn it slowly until you see the string loosen and hear it detune. When you loosen the guitar string, it creates a low, off-pitch tone. Continue to turn each tuning peg until you detune each string.

2. Take your guitar to a professional guitar technician and have him detune it for you. Many guitarists who play metal music play with a detuned guitar for the tone it produces, and you might not achieve the best results if you try to detune the guitar yourself. If you tend to alternate between styles of music, you should have two different guitars for each style you play.

3. Use a mechanical tuner to detune your guitar. It's not just guitar players in a heavy-metal band that appreciate the tone of an out-of-tune guitar. Many classical guitarists can detune their guitars by dropping the low E to a D in order to explore new musical sounds.

Determine How Big A Snowboard

This article takes a look at all of the factors that will help to determine what size snowboard will work best for you.

Instructions

1. Check yourself out. Purchasing a snowboard may seem as easy as going to the store, picking out a board and some bindings, putting everything together, then riding; but in reality, there are many factors that should go into determining the size of a snowboard. Your overall experience with the sport does carry some weight in the decision, but we’ll get to that later. The two most important factors you should consider when purchasing a board are your individual height and weight. Many riders will use the chin method when figuring out the length of the board, and unless you have a very long head, this method isn’t far off. For riders who aren’t looking to do any specific moves or tricks with their board, the length of your board should be equal to about 88 percent to 91 percent of your overall height. Usually if you stand the board up straight and can rest your chin on it, you’ve got a board that will work. If you want to get the board specific to your height, you can always use this formula: rider height (inches) x 2.54 x 0.88 = suggested board Length (cm). By calculating this formula, you can discover the board length that will work best for your height. Board width is another factor that should be taken into consideration in order to determine the size of a snowboard that is right for you; it is also a factor that is considered to be more important overall than board length. Your board width should be determined by your boot size. Boarding is all about using your edges, if your heel or toe are hanging over the edge of your board because it is too narrow, you run the risk of toe or heel drag. On the other hand, if you purchase a board that is too wide, you’ll have a tougher time putting adequate pressure on both the front and back edge of your board; this will cause it to be less maneuverable. If your boot size is 8 or smaller, get a narrow width board, if it ranges from 8.5 to 10.5 get a regular width board, if your boot size is larger than 10.5 get a wide width board. Weight is also a factor that should be looked at when purchasing a board. The length of your board should always be referenced to your weight in order to ensure you are purchasing a board that will perform well. Heavier individuals are discouraged from purchasing shorter boards because their weight is not as easily distributed and often leads to wash outs. At the other end of the spectrum, those riders who are on the lighter side are discouraged from purchasing longer boards because they will be harder to control and maneuver. It is important to purchase a board that will perform well.

2. Another factor to take into consideration when purchasing a board is your gender. Males and females carry their weight differently, therefore it is important to purchase a board that is designed specifically for your gender. When first developed, snowboards were unisex, but as the sport has expanded, women’s boards have been developed that take into account smaller boot size, lighter weight and lower center of gravity. It is strongly suggested that women riders purchase a female snowboard. A male board of the exact same size will ride very differently.

3. If you consider yourself to be an athlete and a seasoned rider, you may want to take your athletic skills into consideration when determining the snowboard size you’ll need. While it is suggested that riders choose a board according to their individual height, utilizing a board that is longer or shorter may allow you to perform different skills and tricks while riding. Longer boards allow riders to cover more terrain and gain speed at a faster rate because the board covers more snow surface area. Shorter boards are much easier to control and maneuver; they are good for those riders who are into doing stunts and tricks while riding. It is important to consider what exactly you are looking to accomplish while riding in order to determine what the best board size will be for you.

4. Consider terrain and conditions. What sort of conditions are you riding in? Do you have well packed snow? Powder? Man made snow? Iicy conditions? Knowing what type of terrain you’ll be riding on is also something that should be taken into consideration when choosing a board size. For those who are continually riding in powder conditions, a longer board may be more suitable. This board will give you control but will also maximize your speed. For man made snow and more icy conditions, a shorter board will come in handy. The shorter board will give you more control on slippery terrain. It is also suggested that you consider the overall weight of the board. Lighter boards are used for those performing tricks while heavier boards are often used to gain and maintain speed on proper terrain. Knowing what type of riding you’ll be doing is great knowledge to have when purchasing a board.