Friday, July 31, 2015

Grants or loans For Theater

Theater


Grants for theater works are available from many sources. Playwrights and theaters are able to fund all types of works through several types of grant resources from government sponsored agencies like the National Endowment for the Arts to local and private sources. Some grants are highly competitive, requiring rigorous applications, while others are targeted to young playwrights with little or no theater experience.


The National Endowment for the Arts


The National Endowment for the Arts is the nation's premier resource for funding creative projects. While much of the NEA's funds are disseminated to state and local organizations instead of individual artists, there are programs that are available to individuals and theater troupes. Its New Play Development Program supports the creation of new work from playwrights and theaters.


National Endowment for the Arts


1100 Pennsylvania Avenue NW


Washington, DC 20506


(202) 682-5400


www.nea.gov/Grants/apply/Theater.html


New Dramatists


The New Dramatists organization is dedicated to supporting playwrights at every level. It is the nation's oldest development program for young artists. Founded in 1949 by the playwright Michaela O'Harra, many of the country's most famous playwrights received support from the New Dramatists including August Wilson, Suzan-Lori Parks, Donald Margulies and over 600 more. The New Dramatists is unique in its philosophy of long-term support of developing artists instead of dissemination of one-time grants. Playwrights who are accepted into the program receive help over a period of 7 years and have the opportunity to showcase their work in New York's theater community. Awardees have won Pulitzers, Obies, MacArthur Fellowships and many other honors.


New Dramatists


424 West 44th Street


New York, NY 10036


(212) 757-6960


www.newdramatists.org


Creative Capital


Creative Capital provides performing arts grants in many areas, including theater. While it is a relatively young non-profit, founded in 2000, it gave over $20 million in its first decade of existence. Over 3,000 artists have benefited from its programs. The grants have non-arts restrictions: applicants must be at least 25 years old, United States citizens or permanent residents and have 5 years of professional experience as an artist.


Creative Capital


65 Bleecker Street


7th Floor


New York, NY 10012


(212) 598-9900


www.creative-capital.org


National Assembly of State Arts Agencies


Most state and local governments have arts councils that support the work of residents. While the amount of available funding and eligibility criteria vary from state to state, local funds are an important source of support for artists. The National Assembly of State Arts Agencies provides a directory of arts agencies around the country.


National Assembly of State Arts Agencies


1029 Vermont Avenue, NW, 2nd Floor


Washington, DC 20005


(202) 347-6352


www.nasaa-arts.org/aoa/saadir.shtml


Write An Audio Lesson Analysis For British Class

Analyzing a song for an English class project is much like analyzing a novel or a short story. English teachers often use songs to see if students can pick out literary and poetic devices in the song lyrics and to see how students are able to take in and describe the mood of the song. You don't have to be a musician or songwriter to analyze a song, though it is beneficial when it comes to analyzing musical elements. Analyzing songs for English class can be fun, challenging, and will help increase your appreciation of an art form most of us enjoy in our lives on a regular basis. Learn how you can do a song analysis for your English class that will impress the teacher.


Instructions


1. Determine what format your teacher wants your song analysis to be in. Those formats could be MLA or APA style, or you may be allowed to write a short free-form essay. Whatever your instructor's requirements, refer to the style guidelines before you write (see Resources).


2. Unless your instructor assigns you a song to analyze, select a song you feel certain tells a good story and makes use of literary or poetic devices you will be able to turn into a good essay paper. You're not likely to get a lot of meaning from a rock 'n' roll song about girls and partying all night. Those songs serve a purpose, but not in an English-class analysis.


3. Listen to your song choice several times. Pay attention to the lyrics. Write them down and make notations if it helps. Try to read between the lines. Look for literary devices such as simile, metaphor and parallelism. These devices are often used in well-written song lyrics. Consult a literary device guide to help you understand these literary elements (see Resources).


4. Look for poetic devices and poetic structure, such as internal and other rhyme schemes found in poetry. Search the lyrics for hyperbole, symbolism and beautiful language you would be more inclined to find in the works of noted poets. You can find more about poetic devices by referring to a guide as you analyze your song (see Resources).


5. Discuss the music of your song in terms of tone, mood, and how it works with the song lyrics to enhance the overall message of the song. You don't need to be able to read music to hear what's going on musically within a song.


Generate A Booth To Have An Expo

Set up an attention-grabbing, welcoming booth.


The ideal time to plan an exhibition is several months before the show. Take the time to ensure that you have all the furniture and printed materials you need. Find out the measurements of your booth and the location within the exhibition and plan the displays according to these details. Gather the furniture and signage you need for your booth. You can order trusses or pop-up displays to present your products or showcase any artwork.


Instructions


1. Cover the floor of your booth. Cut carpet to size and lay it on the floor. Carpets help cushion your feet as you stand all day welcoming customers. Instead of carpets, you could order creative decals that advertise your products or art. Most decals can be removed without leaving any trace on the floor. Check with the show's organizers to see if they are allowed. Some shows provide floor covering--either carpet or cushioned mats--for a charge or gratis.


2. Move in the shelves and tables and establish the position for each. Adding skirts to the tables is an added bonus: You can store extra merchandise or supplies behind the skirts. Secure shelving to the booth boards using fishing line. Tie fishing line around four points of each shelf and the other end around hooks that you insert in your display walls. This avoids any crashes if visitors accidentally bump your displays.


3. Install artwork or signage. If displaying paintings, insert two screws on the back of each painting and put a metallic wire hanger, twisting the ends around the screws. Hang paintings using two hooks to make it more stable and less likely to fall if jostled.


4. Place products on the shelves. Products at eye level catch attention most easily. Display your products so they are visible from all angles, and place an attention-grabbing item in the center of the booth to attract people to your space. Display fewer items rather than crowding the booth, so that people can move freely around the booth. As items sell, replenish your displays from boxes you've stored under your tables.


5. Install spotlights on the top part of your display walls or on shelves and around your artwork. Lighting is important in a show booth and highlights the attractions of your booth, attracting visitors. Hide power cords with tape.


Draw Realistic Hair Having A Mechanical Pencil

Draw realistic hair with a mechanical pencil with 2B lead.


Drawing realistic portraits takes practice, even for someone with natural drawing skill. Using mechanical pencils to draw realistic hair is possible, but using a softer lead in the mechanical pencil--or changing leads while drawing--can help add to the realistic appearance of the hair. Most mechanical pencils come with an HB lead, but artist and author Lee Hammond recommends replacing the HB lead with 2B lead for drawing realistic portraits of people or animals.


Instructions


1. Look carefully at the picture or model being drawn and determine the overall shape of the hair. Lightly sketch the outline of this shape. The sketch does not have to be perfect, and the lines should be very light since detail will be added in layers as the realistic hair is built up in the drawing.


2. Note areas on the picture or model where the light is reflected off the hair, and the darker areas where the light is not reflected, or at least not reflected as much. With smooth strokes of the mechanical pencil, begin at the edge of the hairline along the darker areas and make strokes with the pencil toward the center of the hair or toward the lighter areas. Lift up on the pencil as it approaches these lighter areas, allowing the lines to thin out.


3. Blend the darker areas with a blending tool to smooth the lines and even the tone. Blend in the direction of the lines to keep the hair more realistic. It is okay to smooth the darker lines into the light-reflecting area of the hair; the kneaded eraser is used later to lift the tone from areas that have become too dark.


4. Add more hair lines with the mechanical pencil, following the darker areas into the light area as before. Then blend again into the light areas with the blending tools. Repeat this process, building the hair up from only a few lines to a full, realistic portrait. The building of the hair in layers provides a natural, three-dimensional look as opposed to a flat, single-layered appearance.


5. Knead the kneaded eraser to prepare it for use, then press onto the lighter areas of the hair and lift off, pulling the tone from the mechanical pencil with it. This lifts the color, providing a natural, light-reflecting appearance to the hair.


Ceramic Chalking Techniques

Chalking adds a finishing touch to a ceramic piece.


Ceramic artisans sometimes use chalk to decorate their creations. Ceramic artisans use different methods to apply the chalk to a piece of ceramic. Chalking gives ceramic creations a soft glow that is similar to the finish on porcelain. The pastel finish of chalk enhances the texture of a ceramic piece. Chalked ceramic pieces are suitable only for decorative use, to serve food or for cooking. Glaze the inside of a chalked vase to make it water proof if you plan to use the vase to display fresh cut flowers.


Basic Application


The basic application of a stain to a ceramic piece will help the chalk colors stand out. Use a base coat of acrylic stain and apply two thin layers of stain. Allow the first coat to dry completely before applying the second coat. Select a color of base coat acrylic stain that compliments the colors of chalk for your project. Apply the acrylic stain with a stiff brush to achieve a smooth finish. Make sure to apply the stain in all the crevices of the ceramic piece.


Dry Application


Choose your colors of chalk to apply to the dry acrylic base coat. Use a knife or a piece of rough sandpaper and scrape the chalk to create a find dust. Apply the chalk to the base coat on the ceramic piece using a soft bristle brush. Spray the chalk with a porcelain chalk fixative. Use a matte finish fixative for a soft finish. Continue applying layers of chalk dust followed by a coat of fixative until the color is as deep as you like. Allow the fixative to dry completely between chalk applications.


Wet Application


Prepare a selection of colors of chalk by scraping the chalk to a fine powder. Dip your soft bristle brush in water and then dip the wet brush into the chalk dust. Apply the wet chalk dust to the ceramic piece. Apply the wet chalk to only one area at a time. Allow each coat of wet chalk to dry prior to spraying with a matte finish porcelain fixative. The wet chalk method of chalking ceramics allows you to blend different colors of chalk.


Accents


Chalk achieves a soft glow for areas on a ceramic piece that require highlighting or blended details. Chalk brings out pastel flesh tones for ceramic figurines. Use dark color chalks to deepen shadows and create detail. Layer pale pink chalk over a peach color chalk to add a rosy blush on the cheeks of figures.


Setup A Skill Festival Booth

Both amateur and professional artists should think about entering the convention circuit. Setting up a booth at conventions or art festivals takes a fair amount of work and preparation. You'll need to send in an application first to reserve a booth. Eventually you'll reach that great point where you can actually support yourself with your art.


Instructions


1. Research art festivals, fairs and conventions. Some festivals need reservations months in advance so keep this in mind. You'll also need to book airfare and accommodations. Find those festivals that are well-traveled with people who are willing to spend money. Festival reviews can tell you something about how successful vendors have been in the past.


2. Choose the festival size: small, medium or large. At large festivals, there will be more people, but it can also be more impersonal. At smaller shows, customers might stick around and talk for longer. Check the attendance level for each show as well as the number of booths.


3. Choose art fairs with a similar artistic style. You don't want to set up a booth that will be completely ignored. You want to stand out, but not so much that your booth seems out of place.


4. As part of the festival application process, choose your booth location if possible. This is not always possible -- sometimes it's the luck of the draw, or first come, first serve. Each festival or fair will have different policies. There will also be different requirements for booth size.


5. Advertise ahead of time. Be sure to keep a mailing list sign-up at your booth so you can contact people when the next festival comes around. Also have catalogs and business cards on hand.


6. Bring a full inventory. Be well-stocked so you'll never sell out entirely. Price every item ahead of time.


7. Set up shop. You'll need to bring chairs, awning and a display table. Some festivals may provide a booth for you. Be sure to keep the booth orderly. Put the best and largest artwork out front so it can be seen from a distance. Also be orderly about itemizing sales.


Setup A Skill Exhibition

Many people associate art with sophistication and maturity, though some believe it is only for the wealthy or snobby to appreciate. Show your friends and family your passion for arts and set up an art exhibition. Just follow these steps to learn how.


Instructions


1. Select a location where you can set up the art exhibition. If you live near a large city, then an apartment loft works well. Otherwise, an empty warehouse or even a restaurant will work. Negotiate a good time and price to rent the location. You may even find that a restaurant will not charge you because they will be able to advertise their business during the art exhibition.


2. Locate local artists who would like their art on display. You can find willing artists at a local college. Some small restaurants also feature art on their walls from local artists. Gather their names and contact information to invite them to help you set up the art exhibition so they can display their work.


3. Display all the gathered artwork and set the pieces around the room or rooms. Be sure to have adequate lighting for all the pieces to show off their beauty.


4. Serve appetizers and beverages for the viewing audience. Be sure the audience can eat all the food while viewing and walking around the art exhibition. Stick to finger foods and hors d'oeuvres.


5. Advertise the art exhibition. You can place fliers around town and on people's vehicles in parking lots. Also post at the local colleges and coffee spots. This will surely gather a crowd. Additionally, contact a local radio station and ask that they announce the set up of the art exhibition.


Shape An Individual Mind

Sculpting is a wonderful method of art and self-expression. Sculpting humans can be especially challenging, particularly the human head or face. When artists create these life-like renderings from clay, it creates an emotional piece of art that reflects humanity and the beauty of people.


Instructions


1. Gather together photos of people's heads and faces. Three-dimensional renderings are best since the artist can see all aspects of the head.


2. Sketch a few ideas, and get an idea of what the final head will look like. Choose the best of the sketches to use as a guide.


3. Working on a piece of cardboard, sculpt the shoulders and neck with oil-based clay.


4. Using an armature, or base model, guide the clay around the neck and head until it is completely covered. The armature can be made of wire or wood.


5. Pinch and smooth the clay around the armature until you've achieved the desired results and your head is completed.


6. Detail your sculpture with various clay and art tools to create the eyes, eyebrow, nose, ears and mouth.


Thursday, July 30, 2015

Set A Vapor Hvlp Spray Gun Before Painting

Paint Gun Operation


HVLP or gravity feed spray guns are both effective and efficient. Due to the gravity fed design, HVLP spray guns use less material by reducing the air pressure needed and, hence, the amount of over-spray. Over-spray is the fine particulate material sprayed through the paint gun into the air that never reaches the painted surface. In order for the HVLP spray gun to work properly, the material valve, air pressure and spray gauge must be adjusted properly prior to painting.


Instructions


1. Attach the air pressure regulator to the gun by screwing it to the bottom of the HVLP spray gun's handle.


2. Plug the air hose into the air compressor and the regulator.


3. Turn the regulator adjustment dial until the pressure needle points to the appropriate psi. Most paints sprayed through an HVLP gun suggest a psi reading of 15 to 25 pounds per square inch.


4. Adjust the spray or fan width by turning the nozzle dial. When the gun is in the right hand, this dial is located just above the right thumb. Turning the dial toward you will shorten the fan while turning it away broadens the fan. In general, the wider the surface to be painted, the wider the spay fan should be.


5. Adjust the material valve located on the bottom of the spray gun's handle. Twisting the dial up decreases the amount of material allowed through the gun while twisting it down increases it. There should be enough material flow that a smooth and even pass will cover the painted surface with a moderate layer of material. Too little will be faint and striated while too much will be thick and runny.


6. Paint the test surface with even strokes to ensure the gun is properly adjusted. Ensure the tip of the spray gun is always held parallel to the painted surface to avoid inappropriate material buildup from arcing motions.


Sell Antique Silver

Many people sell antique silver that they have had for many years. Other people sell antique silver that they have inherited or purchased for resale. There is a high demand for antique silver of all types including serving pieces, trays, tea sets, flatware, ladies' items and candlesticks.


Instructions


1. Determine whether your antique silver is sterling silver or silver plated.


2. Learn as much as you can about the items that you plan to sell by researching the marks on the silver pieces.


3. Take the antique silver pieces to a reputable antique dealer or an appraiser to find out the value of the silver.


4. Decide if there is a predetermined amount of money that you want to receive for your antique silver pieces.


5. Take your antique silver pieces to an antique shop to see if they are willing to purchase them from you.


6. Consign your antique silver to an auction house or an antique shop in your area, or list your silver items on an online auction site such as eBay (see Resources below).


7. Advertise your antique silver as a private sale in a local newspaper or on an online site such as craigslist (see Resources below).


Write Object Labels

Object labels identify the object succinctly.


An object label, such as those used to describe exhibits in museums and galleries, should be as interesting and entertaining as the object itself. Visitors will spend slightly more time reading labels than actually viewing the objects, and your label has the difficult task of educating people on what they are viewing. Keep it short, sweet and to the point, provide only pertinent information and make the narrative easily understood at an eighth-grade level.


Instructions


1. Standardize the specification for your label. This includes the label's size and color and the style, point size and color of the font. According to Alaska State Museums, a label's effectiveness begins with how well it coordinates to the exhibit. Contrast or coordinate the background color with the exhibit's walls, and choose a type point (size) that is large enough to see easily -- at least 18 point -- and a font color that contrasts strongly with the background.


2. Construct the label. The label identifies an object and brings it to the attention of the viewer. What you write on your label depends on what information is available to you regarding the subject. At a minimum it must state the title or describe the object, note the age of the object, name the artist or creator of the object, include a catalog number and list the object's origins and the materials with which it was made. Additional information may be the object's uses in its time period, or some little-known fact about its creator or origin.


3. Proofread your label carefully and check word count. A label that is less than 75 words is ideal. Check that the text flows, pulling the reader from one point into the next, and make certain there is no extraneous information contained within it.


Write A Poem In Diamante Style

Poetry is an art form that requires immense creativity and skill. There are a number of different poetic styles. Diamante style is a poem written in seven lines that form a diamond shape, with specific rules for what types of words go on each line. Follow the steps below to create your own diamante poem.


Instructions


1. Start the first line with a single word that is a noun or subject. For our example, line one will be "baby."


2. Think of the antonym/synonym for the noun used in the first line of your poem, and use that word for the last line of your poem. In this case, the last line is "child." You will need to determine the last line of your diamante poem before proceeding.


3. Use two adjectives for line two of your diamante poem that describe the noun in line one. Our example is "Sweet, beautiful."


4. Choose three words ending with "-ing" for the third line of your diamante poem. These words should describe the noun from the first line. The third line of the example poem is "eating, crying, sleeping."


5. Write the fourth line of your diamante poem using four words. The first two words should describe the noun used in the first line of your poem and the last two words should describe the synonym used in the last line of your poem. For our example, line four reads "innocent, funny, inquisitive, clever."


6. Produce three words ending in "-ing" for line five of your diamante poem that describe the synonym used in line seven. Line five of the example poem is "imagining, learning, exploring."


7. Repeat step three to write line six of your poem, using two adjectives that describe the synonym of line seven. For our example, line six reads "wonderful, heartwarming."


Sell Photos To Postcard Companies

The Radcliffe Camera and St. Mary's Church with Corpus Christi College, Oxford, England.


Imagine the satisfaction of seeing a photograph you took while passing the postcard rack at a local store. For many photographers who sell their work to postcard companies, it is just that satisfaction that motivates them. While there is much in the way of professional accomplishment to be gained from licensing work for a postcard, there is, unfortunately, little monetary benefit. However, if you are persistent and realistic about your goals as a photographer, you may have the satisfaction of seeing your work in print.


Instructions


Instructions


1. Target a specific publisher or postcard company. Look at their website or postcards to get an idea of the pictures they currently publish. Many postcard companies will license photos similar to the ones they already print, so compare your images to find something that you think will appeal to them. Try to one-up their current selections while staying within their visual repertoire.


2. Find contact information for the company's photo editor or assistant photo editor. Whether you contact them by phone, email, or regular mail, try to get an idea of their submission guidelines. How many photos do they accept? What format should you send them in?


3. If the postcard company has a website and you are unable to contact the appropriate editor, send a query by email to find out if they are accepting new images. Alternatively, send samples on disk by mail and include a letter describing your experience and interest in postcard photography.


4. Photographer Dan Heller advises photographers to hope for the best and expect the worst. He advises that often, postcard companies accept one or two images, if they accept them at all, and that pay is typically low. Therefore it is good practice to target multiple postcard companies to increase your chances of acceptance.


5. If your submissions are successful, consider licensing versus copyrighting your image. Turning over your copyright to the postcard company essentially gives them permission to use your image for any purpose deemed fit and retracts your rights to the image. Licensing allows the company to use your photograph in adherence with agreed-upon terms, while the copyright remains with you, allowing your continued use of the image.


Buy Coins In California

Buying gold coins can be a very difficult task, even in the state of California. The coins come in many sizes, ages, weights and styles, characteristics that greatly affect the value. So you must do a little work before buying to ensure that you get the real gold coins that you want at a price that is comparable to the market rate. This includes educating yourself on not only the coins, but also the dealers and safe storage options available in your area.


Instructions


1. Gather information about the coins you intend to purchase. You should know the difference between a Krugerrand (a 1 ounce South African coin) worth the current price of an ounce of gold and a California Gold Token that is often a gold-plated brass coin. It is easy to find information on the characteristics you should look for when buying a coin. Start with the Numismatic Guaranty Corporation's Coin Encyclopedia.


2. Research and find a respectable dealer. The Better Business Bureau provides a list of the gold dealers located in California and across the U.S. The NGC (see Resources) also offers a list of California gold coin dealers. However, unlike the BBB, NGC registered dealers are certified in gold coin valuation to ensure that you get coins valued at the price paid. Dealers certified through the BBB and the NGC are less likely to participate in fraudulent practices.


3. Inspect the coins before buying. Here's where you put all of that research to good use. Look for the characteristics that authenticate the coin. Also look for imperfections that may devalue the coin. Using these imperfections, you can decide to either reject the coin or haggle for a lower price.


4. Find a safe, dry place for your coins. Safes or deposit boxes are examples. Gold coins shouldn't be left out in the open, especially the older coins, where they can incur damage or get stolen.


5. Call your accountant. Depending on the amount of coins purchased, you may be eligible for a sales tax exemption for the coins. Most gold dealers will omit the sales tax when the coins are sold, but be prepared to contact your accountant if this doesn't happen.


Be A Playboy Playmate

Ever since Marilyn Monroe graced the first Playboy cover, it has been the dream of many women to become a Playboy Playmate. While some of these beautiful women are discovered by professional photographers, many are chosen from auditions or photograph submissions. Read on to see what it takes to become a Playboy Playmate.


Instructions


1. Research photos of previous Playboy Playmates. Study the composition of the photos, different poses and the kinds of women who are featured as Playmates.


2. Take your photos. You must send recent full-figure, nude photographs that show you in several different poses. You must also send close-up photographs that show your face well. The photos can be Polaroid, print, transparency or digital format.


3. Write a brief biography for yourself. Include your height, weight, measurements, occupation, awards and hobbies.


4. Prepare your identification. You must be at least 18 years old and provide proof (photocopies of two pieces of identification). Your name must be on both pieces of identification and one must have a current photo and your date of birth.


5. Submit your materials. Email your photos, biography and proof of identification to playmateeditor@playboy.com. Put the following in the subject line: Attention Playmate Editor and your name. Alternately, mail your submission to: Attn Playmate Editor, P.E.I., 680 N. Lake Shore Drive, Chicago, IL 60611 USA.


6. Know what happens next. If you impress the editors, they may call you to make an appointment for test shots. Hugh Hefner and the photography editors will judge these shots and Hef will decide if you have what it takes to become a Playboy Playmate.


7. Attend one of the many open Playboy Playmate auditions that are held across America. Contact Playboy to obtain an audition schedule.


Visit The Cinema Free Of Charge

Movies are a popular way to spend a couple of hours, it is even better when you can get in for free. Free tickets are not always possible but with the cost of a family going to the theater rising to into the realm of ridiculous, a free ticket or two at the movie theater is a nice break in the budget.


Instructions


1. Sign up for email specials from theaters in your local neighborhood or with the theater that you like to frequent. Many large theater chains now have a reward program that in return for your patronage will award you free movie tickets. Every time you buy a ticket or refreshments your reward points accrue, getting you closer to a free movie.


2. Put your name into drawings with radio stations, newspapers, local television stations and entertainment magazines to get picked to attend free screenings of new and upcoming movies. You may have to fill out questionnaires about the movie and previews, but they are usually very short and easy to fill out.


3. Pay for newspaper subscriptions ahead of time if they provide coupons and special discounts. As an incentive for their customers to pay in advance, companies have started rewarding their loyal customers with price cuts or special 2 for 1 deals at popular entertainment venues like movie theaters as well as restaurants.


4. Visit local radio station websites for drawings that can only be won by signing up online. Radio stations have tons of great stuff to give away; the winner has to be somebody, and it could be you.


5. Attend a kid's summer movie club at a theater that shows older movies. Large and small theaters are showing movies that have already come out on video on the big screen for their younger clientele. The entrance to the show is free and the concession stands are open.


Wednesday, July 29, 2015

Cool Points of interest Near Might Kansas

The Kansas City, Kansas, area offers many quirky and unique attractions.


Often overshadowed by its metropolitan neighbor to the east, Kansas City, Kansas, is the third-largest city in the state, with a population around 150,000. A suburb of Kansas City, Missouri, KCK is close to major sporting events, restaurants, shopping and museums. It is also near several odd and unusual attractions.


1950s All-Electric House


Those interested in everything 1950s can check out this nostalgia spot in Shawnee, just a few miles south of Kansas City. Featuring electrified gadgets from the era such as garage-door openers, a hidden television, a curtain opener and an air conditioner designed to operate all year called the "heat pump," the house is part of the Johnson County Museum. The structure was built in 1954 by the Kansas City Power & Light Company. The ranch-style house was designed to showcase the possibilities of suburban living and the American dream in the years following World War II. Originally opened for six months as a model home, more than 62,000 people toured it during that period. Later, it was purchased and lived in by a family for 40 years. Now it is once again a model home open to the public.


C.W. Parker Carousel Museum


About half an hour north in Leavenworth is a museum dedicated entirely to carousels. Three recently restored carousels are on display, including a 1913 Parker Carry-Us-All built for the Fred Shew carnival. Purchased by the museum in 1997, the carousel, along with the horses and rabbits, were stripped and repainted. The liberty carousel was purchased by the museum in 2001. It took a year to restore and features 20 horses made of aluminum and two benches. Built in the 1950s by C.W. Parker's son, Paul, it is one of the few carousels in the world that can be moved around on it own wheels. Harking back to an even earlier era, the primitive carousel was built between 1850 and 1860. The oldest wooden carousel operating in the United States, the horses are made out of hollowed-out logs.


Arabia Steamboat Museum


Just across the river in Kansas City, Missouri, this attraction features artifacts recovered from the sunken ship "The Arabia Steamboat," which ran mostly from St. Louis to communities on the western frontier. The salvaged objects offer a glimpse at the types of items early immigrants carried with them. After 14 trips, the boat sank in the Missouri River in August 1856. It remained mired below 45 feet of water until discovered in 1988.


Good examples Of Surrealism In Advertising

Surrealism can twist mundane objects into unconventional visual compositions.


The surrealist movement began in the 1920s, with artist like Salvador Dali trying to translate the subconscious mind into visual art. With the belief that unconventional visual imagery could be used to unlock hidden motivations, and tap into consumer's desires, surreal ads are designed to resonate in the viewer's mind. To this day it has been used in advertising as a means to shock, provoke or entice the audience, so that they retain the brand information. Many industries have used surrealism in their campaigns--from fashion to automotive.


Fashion


Surreal advertisements have been known to shock, surprise and even disgust the viewer--and the fashion industry is no exception. Unconventional fashion advertisers hope creating a jarring ad might add value to the brand, and make it more memorable. Surreal ads do not always have to be shocking; instead, they might feature a person or thing out of its normal context. For example a denim manufacturer created an ad that featured jean-clad models upside down. So, the sky was at their feet, and the brown earth above them. This spring/summer campaign conveyed the idea of a rebirth, but in an unconventional way.


Political


Surreal ads often twist well-known stories, social icons or reality, to tap directly into a specific subculture, or segment of the population. An example of this was a socialist or left-wing party--looking to secure a younger constituency--using surrealism to help communicate their party's objectives. Drawing from the classic Shakespeare play, "Romeo and Juliet," the party pegged themselves as the compassionate left side (Romeo), against a conservative right (the family of Juliet). The aim was that the viewer would empathize with the plight of Juliet, and liken themselves to the socialist side--Romeo, who was represented as the only one that cared for a dying Juliet. Set on a stage of clear red and blue, the commercial spot articulates the viewpoint of the party in a surreal way.


Consumer Goods


Sometimes surreal imagery can be used to entice its audience. Using sex to sell consumer goods is a common practice in advertising, so it is not unusual that it would be used to sell an alcoholic beverage. Surrealism is sometimes known for its ability to turn a mundane object into something else, causing the viewer to double-take. In the beverage's advertisements, its can was twisted to mimic the shape of a woman's lower body---including the lower torso and legs. Just as the ad's surreal art predecessors, at first glance the audience might just see the beverage container, but when looked at more closely, another more enticing image is visible.


Technology


Surrealism and technology seem like a natural advertising match, as video games and new mobile phones tend to promote an alternate, and more technologically advanced view on what reality should be. A mobile phone company, launching a new device, chose an eerie ad for the product launch. In the surreal ad, a young, pale, almost glowing woman was featured on a green pasture background---the background undoubtedly used brand's signature colors. In the commercial, she likened seeing a juggler balance balls, to the phone's multitasking ability. The calm, eeriness of her demeanor and the use of color was what would make the surreal ad stand out.


Automotive


Surreal art sometimes adds metaphoric images to give more meaning to a piece of art. Taking a page out of Salvador Dali's book---the artist who was one of the inventors of displaced and fragmented imagery---a car company created a series of surreal print ads to launch their new fuel-efficient automobile. The print ads showed gas pumpers waiting for a gas sale, in a desert setting, where an object of time (a watch or hourglass) was either squeezed or discarded. The ads visually communicated fuel efficiency's role in the environment, through a series of symbolic objects and misplaced images.


Audition For "Survivor"

If you are fit, intelligent, fearless and competitive, you might have considered auditioning for "Survivor." The show producers choose contestants this during the summer and fall months. Just think about the pot at the end of the rainbow--one million dollars. Read on to learn audition for "Survivor."


Instructions


Check Out the Website and Download the Application


1. Go to CBS online and click on the list of the network's shows. Look for "Survivor." Information about casting calls is available there, along with the written application, which you can download and print.


2. Fill out the extensive, 17-page application. You will be asked, among other things, to use three adjectives that describe you, whether you have been treated for a mental illness, to describe your perfect day, and whether you have piercings or tattoos.


3. Make a videotape of yourself, a required part of your application. "Survivor" requirements are many, so read the directions on the application. The basic rules are: use a VHS tape only, videos must be no more than three minutes long, and talk about yourself and why you would be a good contestant.


4. Photocopy your passport and have a passport-sized photo made of yourself. If you do not have a current passport, the chances are likely that you won't have time to get a passport and get your application in on time for the coming season's "Survivor."


5. Mail the whole package of materials--videotape, application, copy of passport and photo--to "Survivor," 2801 Ocean Park Blvd., Santa Monica, CA, 90405. Then sit back and wait.


Try the Open Casting Calls


6. Check the CBS website to find out where open casting calls are being held near you. CBS affiliates around the country hold open casting calls and the schedule and locations are listed on the website. Casting calls are taking place everywhere from Iowa to California to Massachusetts during the summer, so make plans quickly.


7. Fill out the same application at these casting calls that is available online. The difference is that you can do this with a lot of other "Survivor" hopefuls and perhaps pick up some tips. A key plus for showing up at the casting calls is that the affiliates will videotape you and send all your materials to CBS.


8. Remember to bring a copy of your passport and a passport-sized photo, and show up early. There will be crowds, guaranteed.


So You're a Finalist?


9. Show up for interviews scheduled by the producers in major U.S. cities, if you are one of about 800 applicants invited back. Interviews are held in Los Angeles, New York, Seattle, Chicago, Miami, Dallas, Detroit, Phoenix and Las Vegas.


10. Travel to Los Angeles about a month later, if you are one of about 48 semi-finalists invited to final interviews with the "Survivor" producers. In this case, round-trip economy air travel and lodging will be provided by producers.


11. Celebrate your uncommon success when you are one of about 16 to 20 finalists selected as contestants to participate in "Survivor." Filming for the next season is scheduled to take place from October through mid-December at remote location expected to be somewhere in China.


Photography Courses

Photography Training Courses


Photography training courses are typically designed to teach interested individuals a specific aspect of photography. Training courses in photography are offered in both classroom settings and online. Many of these training classes are set up for beginners, but photography enthusiasts can find more advanced courses, too.


Fundamentals of Film Photography


Fundamentals of Film Photography is a training course designed to introduce students to basic camera operations, film, camera filters and lighting techniques. A majority of these photography training courses deal only with black and white film.


Photography Lab Techniques


Photography Lab Techniques is a photography course that focuses on the various techniques used to process and print film images. Students must possess good hand-eye coordination, accurate color perception and visual acuity to do well in the darkroom.


Color Photography


Color Photography courses explore the various color concepts and theories as they apply to photography. Students are typically required to take photos in a variety of lighting conditions to enhance their skills in contrasting and balancing color.


Digital Photography


Digital Photography is a course that focuses on enhancing the skills necessary to produce quality photos using digital technology. Students typically gain hands-on experience using scanners, printers and photo editing software, such as Adobe PhotoShop and Corel Paint Shop Pro.


Macro Photography


Macro Photography courses are typically designed to train photographers to shoot close-ups of items for scientific, industrial or commercial purposes.


Read Music For Drums

Playing a musical instrument is a fun challenge, but before achieving proficiency with the instrument, it's useful to know read the music you want to play. Learning read drum notation helps drummers to understand the piece being played, and can help drummers learn play better.


Instructions


1. The time signature is shown as a fraction at the beginning of the sheet music. It will tell you how many of what kind of notes there are per measure. The top measure is how many, and the bottom number indicates what kind. For example, 4/4 time means 4 quarter notes per measure.


2. For regular drum beats -- snare, bass, toms -- the note is a typical music note. For cymbals, the note is usually depicted as an "x" with a line next to it. Since there is no way to hold a drum beat, there are no whole or half notes. The note's worth is counted the same as any other music note.


3. The rest types are the same as in any other form of music. A whole rest means for that measure, there is nothing played. A half rest means that half the measure is silent; quarter and eighth rests are similar. Pay attention to what comes before and after the rests so you know the right time to rest.


4. Percussion scores are often written for the individual percussion instrument in that it looks like a single line with the beats marked by regular notes or cymbal notes. Since there is no real change in pitch, there is usually no need for the regular music bar.


5. When there is a change in pitch -- more than one drum -- a regular music stave is used. These can be written differently, as the style depends on the person writing it, but generally it takes this form: Snare notes on the middle line, tom notes in the spaces between the lines, cymbal notes above the top line, hi-hat notes above the cymbal notes, and the foot pedal markings are placed below the bottom line, with bass pedal using a drum note and hi-hat pedal using a cymbal note.


Create A Pottery Kiln

Building an indoor pottery kiln to fire clay items is not an expensive endeavor. The project takes two days to complete, due to the curing time required for the clay, sand and graphite mixture.


Instructions


1. Drill a 2-inch hole in the center of the bottom of the metal pail. Put a wooden or cork plug in the hole.


2. Separate the clay, sand and graphite into three piles. Knead together approximately 60 percent of the clay, 15 percent of the sand and 25 percent of the graphite.


3. Line the wooden dowel and pale with paper scraps. Dip the paper in water and press it firmly into the pail and around the dowel rod.


4. Place quarter-sized amount of the sand, clay and graphite mixture on the bottom of the dowel rod. Press the dowel rod firmly into the bottom center of the metal pail.


5. Pack the remaining mixture around the dowel, filling the space between the rod and the top of the pail. Do not cover the space between the top of the dowel rod, or the rim of the metal pail.


6. Drill a 1-inch hole in the center of the pail's lid.


7. Dry the mixture at room temperature for 48 hours to cure the clay, sand and graphite compound.


8. Remove any loose paper from the sidewalls. (The clay mixture will shrink as it dries.) Sprinkle sawdust into the open spaces.


9. Set the hollow metal pipe in the lid's hole. (The pipe will serve as the kiln's chimney.)


10. Place the pail evenly on three bricks and remove the bottom plug. Light a Bunsen burner or plumber's torch to provide heat.


11. Raise kiln temperature gradually to the appropriate heat. Fire earthenware objects at 1,250 degrees Celsius. Fire porcelain objects at 1,400 degrees Celsius.


Avoid One And Talent Agency Ripoffs

How do you get yourself or your child into modeling or acting? There are very basic steps you can take to see if you have what it takes. There are also as many scams out there with sales people promising you the moon and designed to take your money. There are no up front fees to an agent. They get a percentage of your earnings. There are fees tied to photography and development and there in lies the opportunities to scam you out of thousands of dollars.


Instructions


What do you really need to become a model or an actor?


1. Test shots. The most important element in determining your marketability is how well you photograph. There are many beautiful people in this world that do not photograph well. There are also many people average in appearance that just jump off the page. Some photographers will attempt to "sell" you a portfolio to break into the biz. Not necessary. Test shots can be taken by a friend or family member, in your own home. Just strike a pose and show a sense of style. These pictures can be sent directly to a credible agent. Create a professional portfolio of work you have been paid to do.


2. Modeling schools. They are not to be confused with a model or talent agency. A great place to develop poise, learn walk, build confidence, apply make up and of course spend a lot of money on head shots or comp cards. But they can not teach you to be a high fashion model. They can not teach you to be photogenic and become 5-10 or taller (6 feet for men).


3. Finding an acting coach. Whether you start at age 6 or 60, if you photograph well and look good on camera, talent can be developed. Learn the craft. Working on camera takes training and classes are mandatory if you want to be taken seriously as a television or commercial actor. Make sure your coach has verifiable credentials in the business. These classes can be expensive and they are only as good as the instructor. Ask to see their resume and do some research before you sign up for their class. Most universities have degree programs. Don't think you need training? Look up your favorite actor or actress and see how much formal training they have received.


4. Model and Talent showcases. Getting in front of agents is the name of the game. But be wary. Some of these showcases can cost up to $10,000 for a weekend. Agents are invited to attend to find their next new faces and scams don't limit their event to professionals. Make sure the event is legitimate. The harsh reality is that an incredibly small percentage of talent are actually ever found at these events. Models only need to mail test shots and measurements directly to the agents and the only submission cost is a stamp.


5. Demo Tapes. For those breaking into acting, it's important to get your work on a tape. Tapes can be duplicated and sent to agencies and casting directors. But, like a resume, you have about 10 seconds to pop off the tape before you are shut off. Make sure you are using a credible production company. Check them out with the Better Business Bureau. A poor quality demo is absolutely worthless.


6. Independent films. Do not expect to get paid, but what a great way to build a resume. These aspiring filmmakers are required to create these films at film schools and finding good aspiring talent to be in them is critical. Join forces and take these opportunities seriously. They submit these films to film festivals, great exposure for you! Do the research on the filmmaker. If enrolled in a school, call the school. Find out other films they have produced and ask to see them. Your image will be forever tied to this person.


Carry Out The Do When I Do Card Trick

Perform the Do as I Do Card Trick


This follow-the-leader game will have them scratching their heads.


Instructions


The Trick


1. Place two decks of playing cards on the table.


2. Let the volunteer choose the deck she wants to use. This lends authenticity to the trick by showing that it's not the deck that's being tricky - it's you.


3. Take the other deck and shuffle it, saying, "Do as I do." She will shuffle her deck.


4. Now trade decks and shuffle each other's cards.


5. Trade once more so that you are holding the original deck you started with.


6. Put your stack of cards on the table, face down, saying, "Do as I do."


7. Take the top 2/3 of the deck and place it to the right of your remaining cards.


8. Take about half of this new stack and make a third pile to the right of the new one. You should both have three piles of cards in front of you.


9. Indicating the middle stack, announce that you will look at the top card. You and the volunteer look at the top cards on your middle piles, but don't show them to each other.


10. Pick up the pile of cards on the far left and set it on top of the middle stack. Pick up this new pack and set it on top of the third pile.


11. You should both now have just one pile of cards in front of you.


12. Cut the cards three times.


13. Now exchange decks with each other. Tell the volunteer that you are going to look for your card in her deck and she should look for hers in yours. Instruct her to lay the card face down on the table when she finds it.


14. When there are two face-down cards on the table, pick up one card and use it to flip over the other one, then turn over the one you are holding.


15. You both chose the same card!


How It's Done


16. While you are shuffling the volunteer's deck in step 4, get a glimpse of the bottom card. This is the only card you care about.


17.In step 10, when you put the first stack on top of the second, the bottom card of the original deck will be on top of the card you looked at. You know what the volunteer's bottom card was, so when you trade decks to "look for your card," the one you want to pull out is the one right in front of that bottom card.


What's Personification

Within different types of literature, different expressions are used to describe things more effectively. This brings the writing to life and creates certain images out of words. One of the most widely used techniques in literature is personification.


Function


Personification describes a specific thing, object or idea by making it into a person or attributes of a person. This gives human qualities to the thing, object or idea, giving it a kind of "life." Personification describes the action of an object, attributes that it has, physical features and other specifics about the thing, object or idea.


Identification


Personification is used when you are reading about a lifeless object that is "brought to life." For example, if a leaf is dancing, then it is given human qualities as an object. If a backpack jumps, a book cries to be read or a candle sways, than you can expect that they are being personified.


Types


As you are reading literature, you will be able to identify the personification through the actions that help with descriptions. This identification may be different in types of literature, because the form and structure from the literature changes. Hence, the personification will also change. Some examples include:


Poetry: A poem can use an entire stanza or an entire poem with personification. For example, a poem about a spoon may use several types of personification qualities to describe the spoon.


Fiction: Fiction will most likely not stay on the personified object for long. Instead, it will use the personification to add in a metaphor, image or idea to the object. Because fiction is based around a plot line, the use of personification is also used differently.


Children's literature: This is mentioned because personification is often the center of children's stories. Authors often use objects that are brought to life to describe certain situations or ideas throughout the entire story. For example, moons talk, cows jump, bears clean their rooms and furniture has conversations with cats. This is a different way of using the concept of personification.


Benefits


Personification is one of the best tools of literature, and has been known for its effectiveness for a long time. This is because of its ability to describe something that may be difficult to describe otherwise. By doing this, readers are able to relate to what is happening by having a picture in their mind of an object or thing. The result is the ability to paint an entire picture of words with the use of personification.


Expert Insight


Pay attention to how personification is used and how it creates a completely new tool for describing something.


If you are writing and want to use personification, be careful of how you use it. Using the right description at the right time makes all the difference. If you use too much, it may distract from the actual story. If you don't use enough, then the point or the description won't be effective. You should also be cautious of cliches, which are personification concepts that are used too much and are known as "mainstream." Let yourself be creative in your descriptions to bring things to life.


Tuesday, July 28, 2015

Create A Garden Gnome On The Toadstool

Garden gnomes are a classic lawn decoration. The materials used to make them range from concrete to wood. You can make a garden gnome for your yard out of a sheet of plywood. The silhouette of the gnome is cut from the plywood and the details are added with paint. To make a garden gnome on a toadstool, simply draw in the toadsool before cutting the wood. Typically gnomes have a hat, large nose and cheeks. Use bright colors on both the gnome and toadstool to create a whimsical decoration.


Instructions


1. Place a 3/4-by-24-by-48-inch plywood panel on a work surface with the 24-by-48-inch side lying flat.


2. Draw the outline of the toadstool with a gnome sitting on top. A toadstool has a curved stem and a broad rounded mushroom top. Gnomes are small in stature with a stocking cap, a large nose and exaggerated facial features.


3. Cut out the outline on the plywood panel using a jigsaw. Slowly guide the saw around the outline until the cut is complete.


4. Sand the cut edges of the decoration with a detail sander. Use a medium-grit pad, followed by a fine-grit pad to achieve a completely smooth edge.


5. Paint the details of the gnome and toadstool onto the plywood cutout using exterior craft paints and craft brushes. Paint a one-by-two-by-24 inch wooden stake the same color as the toad stool stem. Allow the paint to dry at least four hours.


6. Align the wooden stake in the center of the toad stool stem with the two-by-24-inch side flat against one side of the stem. The stake should overlap the stem by six inches. This will provide 18 inches of stake to stick into the ground.


7. Drive four wood screws through the stake into the plywood toadstool with a screwdriver. Evenly space the screws across the six-inch overlap.


8. Push the stake into the ground in the selected area of your yard. So that the bottom of the toadstool is flush with the ground.


See Broadway Shows In Vegas

See Broadway Shows in Las Vegas


The Las Vegas Strip has become more family friendly over the last decade. One of the approaches of business owners in the city is to build new theaters and bring in Broadway shows to draw theater lovers from the West Coast. Once you learn the difference between Broadway shows in Las Vegas and New York City, you can appreciate every show that you see on your vacation.


Instructions


1. Anticipate shorter versions of certain Broadway shows when you see them in Las Vegas. Longer productions like Phantom of the Opera have been cut down in order to appease tourists and save time for a second show in the evening.


2. Focus your Broadway show experience in Las Vegas to shows with a permanent presence in the city. Productions like Mama Mia! have a cast present on the Strip year round to ensure quality control. You should avoid shows with multiple touring companies unless it is a show you absolutely want to see.


3. Explore the lineup of new theaters in Las Vegas that are created by local hotels and businesses. These theaters draw in a combination of Broadway fans and tourists who are also in town to enjoy gambling.


4. Pay an additional fee with each show ticket to get behind-the-scenes access for major productions. This fee typically doubles the ticket price but allows you to meet cast members and peak behind the curtain before the show.


5. Purchase tickets for 2 shows if there are back-to-back performances in a single night. Some theaters put on 2 distinct plays in one evening while others run the same sappeal to different demographics as the evening progresses. Twin bills in Las Vegas theaters typically take place on Friday or Saturday nights.


6. Plan your theater experience in Las Vegas months in advance for popular shows. You should take note of award winning shows and long running productions about to close.


7. Use the savings from theater tickets in Las Vegas to purchase merchandise and memorabilia. Tickets in the city called "Broadway West" by most critics, cost less than tickets in New York City to appeal to a wider audience.


A Brief History Of Stained Glass Home windows

The History of Stained Glass Windows


Stained glass is made by adding colored metallic salts during its manufacture. The process of creating these windows involves arranging pieces of the colored glass inside a frame to form a design, which is fastened together with strips of lead. Stained glass windows are a global fascination and have adorned churches and other establishments for centuries.


Early History


Stained glass window use began with church building. In the 10th century, French and German churches featured biblical windows and English churches featured decorative windows.


Documentation


Around 1100 AD, a monk named Theophilus wrote a "how to" that described stained glass window construction and techniques.


The Gothic Age


The Gothic age ushered in fantastic stained glass window techniques that graced the great cathedrals of Europe with works of art.


The Renaissance


During the Renaissance, stained glass suffered a 300 year period in which the form became less artistic and more garish with the use of thick, heavy paint.


The 1800s


In the mid-1800s, interest in Gothic architecture resurrected in England when art historians rediscovered stained glass techniques of medieval times.


Contemporary Age


After the Second World War the flowering abstract and expressionist movements led to stained glass church windows that are reminiscent of the artistically beautiful Gothic period.


Graphite Drawing Tools

Graphite is a mineral used in drawing pencils for its smooth application and blending properties. Many sketch artists prefer using graphite over other types of drawing pencils for this reason. In addition to the pencils themselves, there are a number of tools an artist might need to make the graphite drawing experience better.


Graphite Pencils


For most graphite drawing purposes, a 2B and 6B graphite pencil on hand is all you will need. Graphite comes in various densities, however, and keeping a mix of soft and hard graphite can allow you to achieve different effects. The softer graphite is good for blending and harder graphite is lighter and used for drawing outlines. Some artists choose mechanical graphite pencils for more consistency in the balance of the pencil and the application of the graphite. Graphite pencils are available (from soft to hard) in 6B, 4B, 2B, HB, F, H, 2H, 4H and 6H.


Stumps and Tortillons


You should not use your finger to blend graphite because the oil from your finger can be picked up and cause damage to your drawing. Stumps and tortillons are made specifically for blending graphite in drawings. Either can be used. They are typically double-ended and cylindrical and made of tightly rolled paper.


Progresso Pencil Sticks


Progresso Pencils are solid sticks of graphite that can be used to cover larger areas than traditional drawing pencils. Progresso sticks are used for coloring large areas of a drawing and adding shadow and depth. They are frequently used for lightly adding color over a canvas before drawing begins.


Additonal Tools


A color shaper (used much like a tortillon, but with more precision), a standard pencil sharpener and gum eraser are essential tools for graphite drawing. Putty can also be used if needed, to lift graphite away from the paper.


Sculpture In Clay

Human face in clay


Clay is one of the most versatile artistic materials available. Clay can be molded and sculpted into just about anything your imagination can conjure up. It's easy enough to work with, and even a beginner can typically come up with something of artistic value. Getting started with clay sculpting is affordable and can lead to a relaxing hobby and even a profitable business selling your sculptures. Here's how you can begin bringing your art to life through clay sculpting.


Instructions


1. Purchase a set of clay sculpting tools and some clay to get started. You can find clay sculpting sets and clay at hobby and craft shops. There are also many online stores where you can purchase these supplies. You don't need a lot to start. A cheap set of wooden detailing tools and a couple of sculpting knives will get you started. You can purchase clay in bricks, either oil- or water-based.


2. Decide on the subject of your sculpture. You can sketch it out on paper first, if that will help you visualize what you want to sculpt. You might choose instead to use an actual model to work from, or you might simply create from your imagination. Once you know what you will be sculpting, find a place you will be able to work and where your sculpture will be safe. The sculpture will probably take more than one session to finish. It's a good idea to begin working on you sculpture on a piece of wood as a work platform, in case you need to move it.


3. Build your clay base. Estimate the amount of clay to use, depending upon the size of your project. You can remove some of it later if you begin with too much. Place your clay on your work base and use your hands to rough out the shape of your sculpture first. Once you have the rough beginnings of your sculpture, continue to form it with your hands until a more detailed shape evolves, then use your detailing tools to add the finer elements of your sculpture. Sculpting a person, for instance, you'll use detailing tools to bring out the facial features and any clothing details. Keep a bowl of water close by. You can apply water to the clay to help soften it for surface smoothing.


4. Finish your sculpture by allowing it to air dry. If you use polymer, dry it in an oven for about twenty minutes at 275 degrees. Use clay glaze, which can be purchased at hobby shops, to seal your sculpture before you apply any paint. Many sculptors don't paint their sculptures, preferring the natural color of the clay.


Script Out An Interesting Scene

The work involved in scripting a funny scene is made worth it when the audience laughs uproariously.


Whether you are writing a short skit, a full-blown play, or a comedy sketch, scripting out a funny scene can be a slow process -- but it becomes worth it when your script is delivered and the audience laughs, confirming your hilarity and wit. While the scripting process is different for everyone -- due to widely varying creative styles -- a basic process of brainstorm, draft, and test will be effective and streamlined for most people.


Instructions


1. Brainstorm your funny scene. When you are scripting a scene, an important part of the process is making sure your audience can "see" the scene as you do. Your brainstorm should include necessary details about the characters and location of your funny scene; while you might be able to visualize them perfectly, you want to be sure this is communicated clearly in the scene. And even if you don't use these details explicitly in your script, you can be sure to communicate them through subtle means such as accents, attitudes, and clothing. The same goes for the location, historical and relational background, and other elements integral to the story.


2. Draft the script for your funny scene. This is where the process may vary: some writers may begin with the jokes, then fill in the background; others might begin with a humorous situation or circumstance, then fill in the actions and dialogue; and some will methodically script the scene from beginning to end. When you conclude this step, you should have a complete, albeit rough, draft of the funny scene.


3. Act out the scene, alone or with others -- preferably with the actual cast, if this is going to be a theatrical production. It is also extremely helpful to have an audience; with funny scenes, gauging audience reaction is crucial for making sure the scene doesn't fall flat. Having and then polling audience members on which moments they found funny, which were weak, and also on the cast's delivery of the humor will ensure your funny scene is humorous to more than just you.


4. Re-draft the scene, as necessary, based on feedback and your own impressions of the delivery of your funny scene. This step in the process is indefinite; your script may be a wildly humorous success on the fly, after just one draft, or it may need several reworkings to make it all come together.


Write A Visible Artist Biography

Artist statements are informational and provide direction for viewers as to the artist's philosophy.


An artist's biography is, in many ways, a marketing tool for the visual artist. It helps viewers, curators and others understand the artist's approach and personal philosophy. Usually one to two paragraphs long, the statement does not need to give away every nuance of an artist's work, but rather should provide an overview of the artist's purpose, achievements, background and experience. Every statement is and should be different, but there are certain things to keep in mind when writing any visual artist's biography.


Instructions


1. Consider what motivates you as an artist---why do you create your art? Thinking in these terms guides you toward the opening statement, which should include specific things, ideas or people that inspire your visual art. Matt Siber, a photographer and professor, cautions against confusing style with concept; in other words, if you are a painter whose work is abstract, but you are inspired to paint by performance art in New York, be sure to mention your inspiration and not just that your work is abstract.


2. Think about what sets you apart as a visual artist. What are you doing that no one else is doing? This could be anything from a technique you use or are experimenting with to your particular style. Look for something to draw on that will convey the message that you are not just another painter or photographer, but someone unique who is one to watch.


3. Determine the message you are attempting to convey. If you do not have a "message," think about what an ideal reaction to your art would be. For instance, Michelangelo's work may inspire a sense of awe, but what do Andy Warhol's soup cans inspire? Sometimes there is a statement or message (like consumerism) behind the work; other times the goal is more of a shared appreciation. A landscape painter portraying the Blue Ridge Mountains may simply want to share the beauty she sees or the emotional impact they make.


4. If you are writing your visual artist statement for a particular exhibit or body of work, discuss your intentions, process and any themes you may have used. What, specifically, sets this group apart from others in its genre? From other works or exhibits you have displayed? How are you evolving creatively?


5. Mention why you use the medium (or media) of your choice. What is it that draws you to photography or sculpture? Does watercolor allow you to express certain ideas that oil painting doesn't? Alternatively, discuss why you are a landscape artist or only paint pictures of pink cats. Thinking about what draws you to your particular subject matter or medium will encourage your viewers to consider these points when looking at (and interpreting) your work.


Music Festivals In Northeast Pennsylvania

Take a trip to Northeast Pennsylvania in the summertime and you'll be greeted with an eclectic selection of music festivals. Whether you're into bluegrass, progressive rock or jazz, this Rust Belt region has plenty to offer. These music festivals are worth a look, as they draw thousands of people to Northeast Pennsylvania every year.


Musikfest


Musikfest is held in downtown Bethlehem over 10 days in August. Featuring 300 performances on 14 stages---11 of which are free---the festival drew more than 1 million people in 2008, according to The Express-Times newspaper's website, LehighValleyLive.com. Musikfest has been held since 1984, when it drew just 182,000 people. According to the festival's website, "almost every musical genre conceivable is represented." Festival-goers can also buy art and hand-crafted items at Handwerkplatz, an open-air venue. Festival proceeds benefit The Banana Factory, a community arts center in Bethlehem, as well as other nonprofit groups.


ArtsQuest


25 W. Third St.


Bethlehem PA, 18015


610-332-1300


musikfest.org/


NEARfest


NEARfest is a progressive rock festival that is held over three days at the Zoellner Arts Center in Bethlehem, Pennsylvania. The festival, which began in 1999, features acts from all over the United States, as well as France and England. Selling out every year, according to its website, "NEARfest weekend is the biggest 'family reunion' of the prog community in the U.S.A." The festival also offers autograph signings, vending and food areas at the Arts Center.


NEARfest c/o Ray Loboda


P.O. Box 228


Lewisberry, PA 17339


610-758-2787


nearfest.com


Scranton Jazz Festival


The Scranton Jazz Festival takes place the first full weekend of August at the Radisson Lackawanna Station Hotel. It features a covered outdoor amphitheater and fine food and drink. Featuring more than 100 musicians, the festival "has drawn audiences from the entire Mid-Atlantic region, resulting in tremendous notoriety and exposure to the international jazz world," according to the festival's website. The festival offers a student jazz educational component, featuring students from the local Jazz Institute at Keystone College.


Radisson Lackawanna Station Hotel Scranton


700 Lackawanna Ave.


Scranton, PA 18503


570-342-8300


scrantonjazzfestival.org/


NEPA Bluegrass Festival


The NEPA Bluegrass Festival is held at Lazy Brook Park in Tunkhannock, Pennsylvania, over four days in June. The festival offers two stages: traditional and progressive. The progressive stage features modern variations of bluegrass. The festival also offers children's workshops, instrument workshops and an open jam at Danny Stewart's traveling Jam Tent. Festival-goers can buy day passes or weekend tickets, which include free camping.


Danny Stewart


NEPA Bluegrass


Rural Route 2, Box 2734


Laceyville, PA 18623


570-721-2760


nepabluegrass.com/


mandolindan2005@yahoo.com


Scrap A Vehicle Or Truck

Scrap a Car or Truck


Scrapping a car is the term used to describe taking a car to the Metal Recycler. Metal Recyclers will pay you for junk cars, trucks, and vans, as well as other types of metal, which can be a great and easy way to get rid of a junk car.


In today's market, any little bit of extra money can help and scrapping cars can actually provide a decent return for the amount of effort it takes. It is also possible to find people who have multiple old cars just sitting in their yard, who will be more than happy just to see them gone.


Since metal recylcers pay you pennies per pound, it is important to understand scrap a car, so that you get the most money out of the junk vehicle. There are some parts that are worth more to the scrap yard, so it is worth it to take the time to remove them.


Instructions


1. Before you jump in a actually get to work, it is important to consider whether it is worth it to junk the car. Any running and driving car is almost always going to be worth more as a car than it would be as scrap metal.


So, if it runs and drives, do not scrap it, but instead put it on Craigslist for $500, as this is a fair price and more than you would get from scrapping it.


2. Next, spend some time calling the local scrap yards and metal recylcers to find out how much they pay for junk cars. They should give you a price per 100 pounds. If the scrap yards says it is a set fee, look somewhere else, because you will not get the most money this way.


3. While talking with the scrap yard, it is important to ask them their requirements on the gas tank and fluids. Some do not require that you drain the fluids at all, while others require that the gas tank be removed or just drained. Ask them if they have any other requirements, such as removing glass.


4. Before doing anything, it is a good idea to pull the car into the open if it is in the woods and if at all possible, place it on a piece of concrete or asphalt while you work.


5. Inspect the tires and fill them with air. It will probably also be necessary to jack the car up and place it on jack stands. Remember to be very careful when working under the car, paying special attention to the tires, as dry rotted tires could pop.


6. If the scrap yard requires it, drain or remove the gas tank and other fluids, like oil and transmission fluid.


7. Next remove the starter, alternator, and any other electric motors. Set these to the side, because the junk yard will pay extra for electric motors.


8. Remove the battery and set it aside, as many scrap yards will pay a set fee for batteries.


9. Locate and remove the catalytic converter, which is attached to the exhaust pipe between the engine and the muffler. Usually the catalytic converter is located under the passenger seat, especially on older cars. Scrap yards usually pay between $10 and $50 for a catalytic converter, so it is definitely worth removing.


The easiest way to remove a catalytic converter is to use a reciprocating saw with a metal cutting blade. This will easily cut through most exhaust pipes. Make sure you cut at a point were there is just one layer of exhaust pipe and don't worry about getting too close to the catalytic converter.


It may also be possible to pry the catalytic converter out with a large crow bar, breaking the welds, but this will not always work. Removing the bolts is also an option, but this can be very difficult, if not impossible, due to the high heats and age of most exhaust systems.


10. At this point, the car is basically ready to go. It is a good idea to see if there are any salvageable parts or expensive parts that you could sell separately. For example, auto glass can be very expensive, so if you see a curved window, it may be a good idea to remove it and try to sell it separately.


If you have the time and knowledge, you will also get more money by removing the engine and transmission. This is not necessary, but since most engines and transmissions are made out of cast aluminum, you will get a lot more if you take it apart and separate the aluminum.


11. When you are ready to load the car onto the tow dolly, attach the wench to the truck or tow dolly and make sure the car is in neutral and the parking brake is not set. Using the come along wench, pull the car up onto the tow dolly, making sure its wheels line up.


12. Make sure to bring your tire iron with you when you goto the scrap yard. While waiting in line to be weighed in, you can begin loosening the lug nuts on the scrap car. When it is your time to get weighed in, ask where you need to take the car, catalytic converter, batteries, and electric motors.


The scale master will direct you to a crane, which will pick the car up off of the tow dolly. However, you will probably have to take the electric motors, batteries, and catalytic converter to a different part of the yard, so make sure to ask about them.


13. Park next to the crane and finish loosening the tires. If you can remove the straps without the car rolling off of the tow dolly, do so. Otherwise, have the crane grab and hold the car while you remove the straps. Finally, once the car is in the air, remove all of the tires and place them in your truck.


14. Once you have dropped off the car, electric motors, and catalytic converter, you will need to get weighed out. They will give you a final receipt, which you will need to take to the cashiers office to redeem.


Monday, July 27, 2015

Interpret The Skill Of The Guerrilla Women

Interpret the Art of the Guerrilla Girls


The Guerrilla Girls are a radical feminist art group from New York City. Since forming in 1985, the group has staged many events and created many works preaching their critiques of what they feel is an imbalanced and gender-biased society. Interpreting their work involves understanding a few of its key recurring themes. Read on to find out more on interpret the Guerrilla Girls.


Instructions


1. Understand the symbolism behind their name. The term "guerrilla" signifies a type of unconventional warfare enacted by small groups to fight against a much larger army. The Guerrilla Girls see themselves as the minority, fighting against a socially corrupt and sexually prejudiced world.


2. Become familiar with the tenets of feminism. Feminism advocates equality for women and equal rights. The Guerrilla Girls embody this idea by calling into question accepted standards, like the gender imbalance in classic and contemporary art. They strive to let women have equal opportunity and representation in the world of art.


3. Reconsider the "f" word. The Guerrilla Girls' slogan is to take back the "f" word, which they want to be "feminism." Their goal is to have people who follow feminist ideals to wear their feminism as a badge. Instead of shying away from negative associations of feminism, the Guerrilla Girls want feminism to be something that people should be proud of and respected for following.


4. Consider the significance of their image. The Guerrilla Girls wear gorilla masks when they perform. This is not necessarily to hide their identities, but to make a statement that women should not be judged for their looks, but for the thoughts and ideas they express. The gorilla masks help put aside superficial qualities and remind their audience that what's important lies within. Also, the gorilla masks are not at all dainty. They are angry and combative, just like the Guerrilla Girls.


5. Take a look at their individual works. One of the Guerrilla Girls' most well-known works is a poster displayed within the New York City public-transportation system that posed the question, "Do women have to be naked to get into the Met. Museum?" This question was designed to call attention to the fact that women in classic and contemporary art are often portrayed only as sex symbols.


Pitch A Real Possibility Television Show

To "pitch" your stelevision executives and producers, you need to describe your ideas as clearly as possible and have all facets covered. Before pitching a reality TV show, make sure that the idea hasn't been done before and that you're talking to the right people and the right network.


Instructions


1. Create a new and unique idea. While it may seem like the same shows keep turning up on television, networks are always on the lookout for the next hot thing.


2. Write up your treatment. This treatment is a miniature dossier that includes the outline of the show and how the show works. You'll also need to shop this treatment around Hollywood to get a meeting.


3. Network with as many people as possible and as often as possible. The more people you meet, the better the chances are that you can find someone willing to hear your idea.


4. Set up a pitch meeting with a studio or a group of executives.


5. Research the network and executives before pitching your idea to ensure that it's something they might be interested in doing. For instance, a show about the strongest dad in the world probably wouldn't work on a network devoted to women's issues.


6. Prepare your ideas in advance and make sure you have everything condensed down into a short speech. Since most pitch meetings only last five to 10 minutes you'll need to get through your ideas quickly.


7. Think of yourself as the ultimate showman. You need to show what you have and sell your idea to the executives, otherwise they may just tune you out.


Window Frosting Types

Window Frosting Types


Window frosting is a decorative way to increase the privacy of your home. Frosting is typically applied directly to the window. Your windows can be frosted in a pattern or with an even application over the entire window. Frosted windows will still allow light through, but obscure the view in or out of the window. This is a popular option for windows in and around front doors where homeowners prefer a measure of privacy.


Semi-permanent Frosting Spray


Semi-permanent frosting spray can be used to give your windows a custom-made frosted design. To apply this type of window frosting, cut a stencil for your window design from tissue paper. Use the tissue paper stencil to cover areas of the window that you do not want to frost. Lightly spray the remainder of the window with semi-permanent frosting spray. The frosting can be removed at any time with a razor blade or rough cloth. This allows for easy reapplication if you want to change the design or remove the window frosting altogether. Semi-permanent frosting spray is ideal for those who want a simple DIY window frosting project.


Permanent Frosting


Windows with permanent frosting can be purchased from home design stores or custom made at home. To apply your own permanent frosting to a window, apply frosted window film to a wet window. Frosted window film is made of vinyl and contains no adhesive. The water on the window interacts with the film to bond it to the glass. Brush the film with a wallpaper brush to remove bubbles. In just a few minutes, the window film will permanently adhere to the window. This type of design is impossible to change, so it should only be used by those who are confident with the design.


Voile Panel


A voile panel is a quick and easy way to create a faux window frosting treatment. Select a panel of voile material in a color and design that complements your decor. Hem the edges of the panel. Hang dowel rods at the top and bottom of the window, and hang the voile panel from these rods. This type of window frosting will give the same effect of privacy and muted lighting as other frosting types. However, this faux frosting is the easiest to change and can be taken along when you move to a new location.


Chop Up A Cake To Create A Gingerbread Guy

You can use gingerbread man imagery when you bake holiday treats without actually making gingerbread. Instead of baking ginger and molasses-infused cookies, shape gingerbread man cakes in any cake flavor you desire. Whether you want to craft mini cakes or bake one large gingerbread man, cake will prove as formidable a medium as gingerbread cookies. After you cut the cakes into man-shape pieces, decorate the cake or mini cakes with traditional gingerbread man details to realize the classic image.


Instructions


1. Bake a standard 9-inch by 13-inch sheet cake. Bake an 8-inch or 9-inch round cake, as well, if you are assembling one large gingerbread man.


2. Cool the cake to room temperature.


3. Make a paper template for a large gingerbread man body, if needed. Draw a 9-inch by 13-inch rectangle. Sketch triangles around the interior edges to shape the gaps between the body, arms and legs. Follow an illustration as a guide. Cut the template out of the paper with scissors.


4. Cut gingerbread man shapes with a cookie cutter to make mini cakes. Shape the sheet cake to look like one gingerbread man body by trimming along the edges of the cake with a knife. Lay the paper template on top of the cake. Cut around the template with the knife to shape the body and limbs. Trim the round cake to a 5-inch diameter to make the head.


5. Arrange the body and head pieces on a platter or baking sheet. Place the round cake immediately beside the top of the cake body.


6. Decorate the cakes with frosting and other edible embellishments.


Look For A Dance Instructor

Finding a dance instructor you enjoy learning from is a simple matter of comparison shopping.


Instructions


Via the Internet


1. Go to a search engine.


2. Type in the city or location where you would like to take dance classes, and then type a "+" sign and then the phrase, "dance teacher."


3. Press Enter on your keyboard.


4. Click on a site you want to see.


5. Follow the directions on the site.


6. Click Back on your browser to view more relevant sites.


At the School


7. Ask about getting one free lesson to see whether you like the teacher.


8. Be picky about which teacher and which class you end up choosing. Don't be bullied into signing up for classes you don't want to attend.


9. Inquire about reduced rates for taking classes in bulk.


On the Telephone


10. Get a copy of your local yellow pages.


11. Look up "Dancing Instruction."


12. Call to get prices and background information on the teachers that offer classes in the types of dance in which you are interested.


Save Images And Tabs In Opera

Retrieve your saved Opera tabs and continue surfing where you left off.


Opera, which claims to be the fastest browser in the world for Windows, has over 100 million users globally and a loyal fan base that communicates in a thriving online community. Opera supports mouse gestures, page zoom and tabbed browsing. It also allows users to download images quickly and save groups of tabs for later use. Simplify research and maximize your enjoyment of the Web by mastering Opera's unique session-based tabbed interface.


Instructions


1. Open Opera and navigate to a website that contains images.


2. Right-click an image and select "Save Image." Opera will open a "Save As" window. Click the drop-down arrow at the top of the window and select the folder where you want to save the image. Click "Save." Opera will save the image.


3. Press "CTRL+T" to open a new tab. Enter a Web address in the address bar and press "Enter" to navigate to that site.


4. Click "File" and select "Sessions." A window will open. Click "Save this Session" to open the "Save Session" window. Enter "Sample Saved Session" in the text box and click "OK." Opera will save all open tabs in the session named "Sample Saved Session."


5. Click "File" and select "Exit" to exit Opera.


6. Open Opera again. Click "File" and select "Sessions." A window will open and display the session that you saved.


7. Click the session. Opera will open the tabs that you saved.


Make Copper Wire Art

Copper wire art projects can add whimsy, color and dimension to your garden landscape or home interior. Creating art projects from copper wire is not difficult; you only need an outline of the object and a jig to shape the wire. Copper wire comes in a variety of colors and thicknesses, so you can create any type of wire art that suits your decor. Make beaded wire insects to decorate your potted plants or hang wire art as sun catchers in your windows.


Instructions


1. Select a butterfly wing template for the outline of your wire art. Look for butterfly shapes that you like in the stencil aisle of a craft store, in coloring books or online. Cut out the shape of the butterfly's wing. You only need one wing.


2. Trace the butterfly wing outline onto a wood board. Hammer finishing nails along the outline of the butterfly to create a jig. You only need to insert the nails 1/4 inch or so into the wood; just make sure that they are secure. Place the nails every 1 to 2 inches around the perimeter of your butterfly wing's outline, paying special attention to any dips or curves in the outline. You will be wrapping the wire around the nails to make the wire wing, so your nail outline should be indicative of the true shape of your butterfly wing template.


3. Measure the outside perimeter of your nail jig with a measuring tape. Cut a section of 18-gauge craft wire to fit around the nail jig, plus 2 inches. You can use thinner craft wire, such as 20-gauge or 24-gauge if you like, but your butterfly will be more flimsy.


4. Bend one tip of the wire into a hook, just large enough to hook onto a finishing nail. Hook the wire onto the nail closest to the center where the butterfly wing will connect to the body. Wrap the wire around the outside of the nail jig to form the butterfly wing. Wrap the ends together when they meet and remove from the jig.


5. Repeat Steps 3 and 4 to make another wing. If you flip the second wing over after you create it, you will have a symmetrical copy to complete your wire butterfly.


6. Measure the width across the butterfly wing. Cut a section of copper wire four times as long as the width to create a vein. Insert a glass bead to the center of the wire. Spiral the wire on either side of the bead to hold it in place. You can spiral the wire by wrapping it around the long end of your needle nose pliers or a pencil. Leave 1/4-inch of wire at the tip of each end straight so you can attach the vein to the wing. Make as many beaded veins as you like, but keep the wings symmetrical.


7. Attach the copper wire veins to the butterfly wings by wrapping the tip ends around the wire wings. Use your round nose pliers to press the wire in place.


8. Cut a 2-foot section of 18-gauge copper wire. Spiral wrap the wire around a dowel to make the body of your butterfly. Adjust the length of the wire to make a smaller or larger spiral body.


9. Attach the wings to the body, one on each side, with a small section of 24-gauge copper wire.


Learn How To Tap Dance

Learning to tap dance can prove arduous and even daunting for those who aren't coordinated. Learning tap can make learning other forms of dance easier, since your body will be trained to move like a dancer and tap makes a great exercise for those bored with the gym. The fundamentals of tap may not seem basic at first, but once you learn them you can progress quickly.


Instructions


1. Purchase tap shoes. Learning tap will happen faster with actual tap shoes. You must choose shoes that fit snugly but comfortably, and do not constrict the toes. A proper fit helps ensure a decent tap technique.


2. Practice basic movements of tap. These include "toes," or toe drops involving tapping on the toe of your foot, and "heels," or tapping the heel of your foot. You can also begin doing basic steps by shifting weight to the toes as you step forward.


3. Combine the movements slowly in a pattern to help you become comfortable with those movements. Add a new element to your pattern after you master one set of patterns. As you improve, the movements will become more simple to perform. You must practice the movements regularly to see improvement.


4. Drill the movements until you are fast enough to perform them without stopping to correct yourself. Mastering this means you have learned and performed your first tap combination.